There is no doubt that women still face challenges in the workspace. In some situations, we still have to fight for equal pay, equal opportunity, and even equal respect. Although I’d like to think we’ve come a long way, the struggle is clearly not over. It seems that we not only have to battle men’s negative perceptions of us, but also our perception of ourselves.
Recently, studies have shown that women will sell themselves short when working with men. A series of experiments was published in Personality and Social Psychology Bulletin where men and women were asked to work with one another. When given positive feedback, the women would tend to give more credit to the male and took less credit for themselves. While we may be quick to defend the female and point out that she is merely being modest, studies show that women react differently when working with other women. When their teammate is female, the woman in question does not undervalue her contribution like she did with the male teammate.
Upon discovering this disparity, the woman responsible for these studies, Michelle Haynes , commented “It underscores how the expectations women hold of themselves, and those they work with, influence how they process group feedback. Furthermore, it reveals that gender continues to play a role in how individuals derive these performance expectations.”
In the midst of fighting for higher ranking positions, why do we view our own contributions less favorably than then contributions of our male co-workers? Haynes adds that this mentality is “likely to impact how women view their efficacy at work and the degree to which they are likely to vie for competitive projects and promotions.” While fighting for equality must we also face our own negativity? Tell us what you think.
Dept The Market
Issue Fall 2012
Hed: Here Goes Nothing
Ever wonder what you’d find on an online dating site? Pervs, fetishists … the boy next door? One Asian American woman does the (dirty) work for us in our inaugural O.D.D. (Online Dating Diary) column.
Online dating can be a daunting experience for both men and women, and even more specifically for an Asian American woman. Some may argue that Asian American women have it easy because they tend to
receive the most number of messages on online dating sites, but having X number of suitors does not necessarily make the experience any easier or better.
I’ve tried online dating before — for a whole week — before permanently deleting my account after receiving little more than creepy (and sometimes downright revolting) messages from various men on the site. At one point, a guy I had grown to trust a bit made a complete 180 — from a seemingly nice guy to one who confessed how much he liked to masturbate to my picture.
Author: Kanara Ty
Title: Where My (AA) Girls At?
Don’t like what HBO’s Girls is saying about this generation? Then tell your own story.
Before HBO’s Girls was set to premiere this past spring, the comedy about 20something struggling post-grads in New York City sparked a debate about race and representation in Hollywood. My initial thoughts after I finished the first episode of Girls? Sure, it was hard for me to relate to anything that was going on on the show (I’m not white, I don’t come from a privileged, wealthy background, nor do I live in New York City), but I was immensely surprised at how
entertaining I found the show to be — namely the awkwardness/quirkiness of the female lead characters. Lena Dunham, who impressively writes, directs and stars in the show, has already been hailed as the next Tina Fey.
Dunham has yet to be dubbed the “voice of her generation” (as her character in Girls states) — and rightfully so. Having such a title bears the social responsibility of, well, speaking for a diverse generation of people who come from different backgrounds and experiences. Fact of the matter is, Dunham is talented — her writing is witty, intelligent
and full of charisma. Girls speaks of her own personal experiences; as that saying goes, write what you know. And she does a damn good job of it. Instead of pointing fingers at Dunham, we should be asking the programming departments of major television networks about the diversity in their programming — I mean, they are responsible for
what gets on the air.
Shortly after Girls aired, the extended trailer for FOX’s The Mindy Project premiered and, of course, was met with much applause. It’s been a while since an Asian American woman has taken the reigns of a comedy on a major televisionnetwork and, well, it looks like Mindy Kaling has hit it on the head. However, Kaling still sits alone, as we have yet to really see excellent programming starring Asian American talent that’s also relatable. (Sorry Maggie Q — I wish I could relate to your kick-ass assassin character, but it’s just not happening.) One could argue that Asian American programming now has a place on YouTube. You have your WongFu boys, KevJumbas and Ryan Higas. In a significant move, there’s now the YouTube Original Channels, which features programming in entertainment, beauty, sports and technology. This includes Michelle Phan’s FAWN (For All Women Network) and the Asian American pop culture blog’s YOMYOMF (You Offend Me, You Offend My Family). Speaking of the YOMYOMF Channel, I should make note of BFFs. BFFs is a comedy webseries that features Asian American actresses in the leading roles. While the series was met with lukewarm reactions, I have to say it’s a start, which is better than nothing at all.
If there’s anything I can truly criticize, it’s that there’s not enough self-expression among this generation. When the reality show K-Town (on YouTube’s Loud Channel) surfaced, it was met with so much negativity from Asian Americans whwere afraid of how they were going to be represented. But in all honesty, have our purported “positive” stereotypes (read: the model minority) played in our favor in American society? Going along with this idea of social responsibility, the key thing to note is that there are multiple voices of this generation, but many of them go unspoken. Dunham, Kaling or YouTube celebrities should not be the only ones speaking for us. Whether their work makes us happy, angry, sad or stir any sort of emotion, rather than sit back and mouth off on our soap boxes about what we think others are doing, think about what we can do right. We’re all quick to hate on each other; instead, let’s let theseconversations inspire one another.
2013 marks 100 years of Indian cinema — home of the unique film genre affectionately referred to as Bollywood — and through the century, there have been many memorable leading ladies, from Nargis, Sridevi and Rekha to Madhuri Dixit, Aishwarya Rai, Rani Mukherjee, Preity Zinta and many many more.
For this year’s Women’s History Month, Audrey Magazine highlights some of our favorite Indian actresses ruling contemporary Hindi cinema today. This is the first in our series of Asian Women in Film, where we will be featuring leading ladies from all of Asian cinema.
Here are 10 names to know:
When the former Miss World (2000) began her career in Bollywood, from her 2002 debut in the Tamil film Thamizhan to her damsel-in-distress role to Hrithik Roshan’s superhero in 2006′s Kriish, there was often more talk about her skimpy outfits than her acting skills. Then 2008 happened: Chopra had six films come out that year, and while the first few were unsuccessful, late 2008 brought the release of Fashion, the first role that got critics talking about her talent rather than her looks — especially when she swept all the major Indian Film Awards that year for Best Actress. Since then, even if the film she’s been in haven’t been acclaimed, people tend to point out Priyanka Chopra’s performance as the best part. Case in point: the awards she’d picked up for playing a murderess in 7 Khoon Maaf and an autistic woman in Barfi! in the last two years.
Vidya Balan has been acting in feature films for a decade, but she broke out into stardom recently with her role in The Dirty Picture, the biopic about the adult film actress Silk Smitha who was popular in the 1980s and 90s. The role earned her Filmfare and National Film Awards for Best Actress in 2012, and she followed it up with the crime thriller Kahaani, in which she plays a pregnant woman in search of her missing husband.
Kajol (also pictured at the top of the article) has been a household name since 1995′s Dilwale Dulhania Le Jayenge (DDLJ), which kickstarted a filmgoing craze (it is the longest running Indian film in history, and as of Jan 2013, the film is still playing in a theater in Mumbai, 17 years later) as well as a timeless romantic pairing (Kajol and Shah Rukh Khan have acted in six films together). But in recent years, Kajol has brought an even greater depth to her performances. Just check her out as the blind woman in Fanaa or the grieving mother in My Name is Khan. You’ll feel like a really beautiful, soulful woman just punched you in the stomach.
Deepika Padukone made her debut in 2007′s Om Shanti Om, playing two characters that looked identical though they’re from different time periods (it can happen, just go with it). But she gave both characters enough nuance to prove to audiences that she was more than a tall, strikingly-beautiful model — even though she was definitely tall and definitely strikingly beautiful. Since then, she’s taken on different types of characters, from the modern-day romantic lead in Love Aaj Kal to the downward-spiraling toxic friend in Cocktail.
Another actress who got her start in a Shah Rukh Khan film (2008′s Rab Ne Bana Di Jodi), Anushka Sharma soon ventured out on her own and found another leading man that she seemed to have good chemistry with, on and off screen. Acting opposite co-star Ranveer Singh (quick tangent: check out his abs in Audrey’s Daily SHAG here) in Band Baaja Baaraat and Ladies Vs. Ricky Bahl, Sharma really showcased her natural charisma and ability to lead a film. In 2012, she reunited with Shah Rukh Khan in Jab Tak Hai Jaan. Whereas in Rab Ne Bana Di Jodi, she played the mourning, subdued wife whose life and belief in love needed to be re-ignited by Shah Rukh Khan’s charm, in Jab Tak Hai Jaan, she was the mini-Shah Rukh Khan, who “Shah Rukh Khan”-ed Shah Rukh Khan himself. I know it sounds confusing. But just watch the movies.
Born in Hong Kong to a Kashmiri Indian father and an English mother, Katrina Kaif often seems to have a maturity beyond her years onscreen. By 25, she was playing the Chief Minister party leader in the political thriller Raajneeti — and somehow pulling it off. After memorable turns as a civil rights activist circa 9/11 in New York and a diving instructor helping Hrithik Roshan get over his fear of water (and workaholism) in Zindagi Na Milegi Dobara, she helped jaded modern audiences believe in “old school” true love again in last year’s blockbuster Yash Raj film Jab Tak Hai Jaan.
Farah Khan has been in the industry for what seems like forever: as a choreographer, she is responsible for so many memorable Bollywood dance sequences that it’s almost impossible to count, but some of our favorites include “Chaiya Chiaya,” “Shava Shava,” and “Maahi Ve.” In addition to her choreography, she’s directed memorable films such as Main Hoon Na and Om Shanti Om. In 2012, she won a Stardust Best Actress Award for her on-screen debut Shirin Farhad Ki Toh Nikal Padi. But even when she’s behind the camera, she is an incomparable leading lady.
Sonam Kapoor (daughter of Anil Kapoor, who international audiences know from Slumdog Millionaire and TV’s 24) made her debut in 2007 with Saawariya, opposite Ranbir Kapoor. At the time, Saawariya got a lot of attention, because although the two of them were newcomers to the industry, the film was co-produced by Sony Pictures, and it was the first Bollywood movie to receive a North American release by a Hollywood studio. Since then, Kapoor has landed girl next door roles in romantic comedies, such as Aisha and I Hate Luv Storys.
A descendant of the legendary Kapoor family, Kareena Kapoor is continuing the legacy started by Prithviraj Kapoor and cemented by Raj Kapoor, as Kareena was most recently named the highest ranking female actress in Forbe India’s Celebrity 100 list. A power player in the industry, Kapoor has been one of India’s highest paid actress in years, starring in blockbusters including Aamir Khan’s 3 Idiots, Salman Khan’s Bodyguard, Shah Rukh Khan’s Ra.One, and most recently reuniting with Aamir Khan in Talaash: The Answer Lies Within.
There are many more, but here are 10 to start with. Who are your favorite Indian actresses?
January is National Stalking Awareness Month. It’s a crime that affects more than 6.6 million adults each year, yet stalking is little understood in the media and gravely under-reported by victims. Contributor Janice Jann breaks the silence and shares why it’s important to take this threat seriously.
ISSUE: Winter 2012-13
STORY: Janice Jann
The term “stalker” gets tossed around far too lightly these days.
“Ew, are you stalking me?” you joke when bumping into someone at the same frozen yogurt shop.
“I’m going to Facebook stalk him,” when you find out a friend has a new boyfriend.
But when you find yourself the victim of actual stalking, it’s no laughing matter.
H&M has just announced Minju Kim as the winner for the H&M Design Award 2013. The award supports emerging European talent by funding and collaborating with one design student chosen from 19 fashion academies in European countries. Minju Kim’s “Dear My Friend” Collection was made this years winner.
Learn more about her collection here.
From the National Asian Pacific Islander American Women’s Forum (NAPAWF):
On Friday, January 18, 2013, the National Asian Pacific American Women’s Forum (NAPAWF) celebrated the defeat of Virginia’s HB 1316. If passed, the bill would have criminalized doctors for performing sex-selective abortions. The Virginia House of Delegates Committee on Courts and Justice held a hearing on HB 1316 in its Constitutional Law Subcommittee. The subcommittee voted unanimously to not proceed with the bill.
Executive Director Miriam Yeung stated, “This bill was a wolf in sheep’s clothing and we are thrilled it died in committee with unanimous bi-partisan opposition. This sends a message that when API women embrace our power and raise our voices, we will be heard.”
Shivana Jorawar, NAPAWF’s Reproductive Justice Program Director, delivered testimony at the hearing about how the bill would affect Asian American and Pacific Islander (API) women. She stated, “We are happy this underhanded bill did not pass. We cannot promote equality for women by taking away their rights. This bill was not about empowering women. It was about limiting our right to self-determine whether and when to have children.”
NAPAWF is thankful to its members and allies from Virginia and across the country who helped defeat this measure by calling Virginia legislators and expressing opposition.
For more information on NAPWF, please visit their site.
Watch out – the girls are back! Girls’ Generation have finally made their Korean comeback with their fourth studio album, I Got a Boy. Of course, this did not go unnoticed, as the music video for the titular track has already racked up over 24 million views in just a little over a week. The song is quite catchy (and admittedly, just all over the place) – we also couldn’t help but notice the wacky fashion of the video (which was all over the place as well).
Click on to see as some pieces we put together to create a SNSD-styled look for “I Got a Boy”! (Click the images to see where you can get these items too!)
Times are surely changing – South Korea just recently elected their first female President, Park Guen-hye! However, this isn’t the first time Asia has elected a female to the highest political office – walk with us down memory line as we take you through some former (and current) prime ministers and presidents of Asia. (Btw, we also think America is also ready for a female president in four years!)