The Ultimate Duo: Judith Hill and Josh Groban

When we interviewed Judith HIll for our Fall 2013 issue, we knew right then and there that she was a force to be reckoned with.

“The first song I [ever] wrote was a gospel song called ‘God Has Made,’” remembers Judith Hill. The singer/songwriter was only 4 at the time, but she still has a recording of it. “It goes, ‘God has made / the birds and the bees,’” she sings, laughing. “It’s pretty bad singing, but I guess for a 4-year-old, it’s not that bad.”

Already discovering her passion at the age of four, the 29-year-old went on to do amazing things. She was chosen by Michael Jackson to be his duet partner for his “This Is It” comeback tour and quickly became a fan favorite during her time on The Voice. Now, she has another achievement to add onto her list.

We weren’t the only ones to notice the amazing skills of this half-Japanese singer. The multi-platinum-selling singer, songwriter and actor Josh Groban decided to join forces with Hill who has been praised by Rolling Stone for having ”stellar powerhouse vocals.” 

Hill has been opening for Groban’s “In The Round” tour. Additionally, Hill joins Groban for two songs: “The Prayer” and “Remember When It Rains.”

Already, audiences can’t get enough of the duo. One youtube viewer commented, “This is beautiful. Both of you have very powerful voices. Josh you get better every time you sing this. Good luck on the next tour tomorrow.”

 

 

The tour has only gone on for a few days, but the duo has already been showered with praise and compliments. Make sure you don’t miss this breath-taking tour!

 

 

Judith Hill – Fall 2013 Tour Dates

 All dates are supporting Josh Groban unless otherwise noted. Additional headline dates to be announced.

October

2 – Boise, ID @ Taco Bell Arena 
3 – Portland, OR @ McMenamins Crystal Ballroom (headline show)
4 – Seattle, WA @ KeyArena
6 - Sacramento, CA @ Sleep Train Arena
7 - San Jose, CA @HP Pavilion at San Jose
9 - Phoenix, AZ @ US Airways Center
11 - Salt Lake City, UT @ EnergySolutions Arena
13 - Las Vegas, NV @ MGM Grand Garden Arena
15 – Denver, CO @ The Soiled Dove Underground (headline show)
16 - Kansas City, MO @ Sprint Center
17 – St. Louis, MO @ Lumiere Place Casino & Hotel (headline show)
19 - Minneapolis, MN @ Target Center
20 - Chicago, IL @ United Center
22 - Grand Rapids, MI @ Van Andel Arena
23 - Detroit, MI @ The Palace of Auburn Hills
25 - Toronto, ON @ Air Canada Centre
27 - Montreal, QC @ Bell Centre
28 - Boston, MA @ TD Garden
30 - Newark, NJ @ Prudential Center

November

1 – State College, PA @ State Theater (headline show)
2 - Pittsburgh, PA @ CONSOL Energy Center
3 - Philadelphia, PA @ Wells Fargo Center   
4 – Annapolis, MD @ Rams Head On Stage (headline show)
6 - Ft. Lauderdale, FL @ BB&T Center
8 - Tampa, FL @ Tampa Bay Times Forum
9 - Orlando, FL @ Amway Center
12 - Houston, TX @ Toyota Center
13 – Dallas, TX @ American Airlines Center

December

4 – San Francisco, CA @ San Francisco War Memorial Opera – Glide Holiday Celebration

David Choi’s New Music Video Reminds Us To Stop Texting While Driving

Youtube star David Choi has joined forces with the AT&T “It Can Wait” campaign.

It is reported that 75% of teens believe texting while driving is normal among their friends. As expected, texting has quickly risen to be one of the major causes of car accidents and deaths. Because of this, the “It Can Wait” campaign aims to educate people, especially teens, on the dangers of texting and driving. Simply put– its not worth risking your life for a text. It can wait. The official website tells us more about their initiative:

Each pledge made to never text while driving is a symbol of commitment to be part of a movement that helps everyone make safe choices with their wireless devices on the road. Teens on average, text five times more a day than a typical adult. That’s a lot of texting! And drivers that text while driving are much more likely to be in a crash*. So we are partnering with teens to get the word out about the serious effect texting and driving could have on their friends, their loved ones and their future.

 

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“Chill Tonight” is David Choi’s new song and music video dedicated to the campaign. The lyrics remind us that couples can be sweet and understanding without texting one another while driving.

Choi was also able to include other stars such as Big Phony, Kero One, Arden Cho to participate in this video by taking the pledge themselves. Check it out for yourself below:

And what could possibly be cuter than David Choi writing a song for a good cause? That would be his excitement to spread the word about it.

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MUST WATCH: Tessanne Chin Wows “The Voice” Judges

The Voice has found another amazing star. 28-year-old reggae fusion recording artist, Tessanne Chin, recently graced the stage of The Voice with her powerful vocals.

Born in Kingston, Jamaica, this Half-Chinese beauty is most known for her hit singles “Hideaway” and “Messenger”. Both songs were featured in her 2010 solo album In Between Words.

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After only moments of showing off her vocals, Chin got all four judges to turn their seat in amazement. With a warm personality and a breath-taking smile, Chin quickly won over the judges, the audience, and viewers at home.

Sure to be a fan favorite, Chin has chosen to be on Adam’s team (he did give her a standing ovation afterall). Check out the performance yourself and be sure to keep an eye out. This one is definitely going places.

 

 

Judith Hill is Preparing To Release Her Debut Pop, Funk & Soul Album

The Japanese-African American singer who won over TV audiences with her performances on NBC’s The Voice is preparing to release her debut pop, funk and soul album. Story by Ada Tseng.

“The first song I [ever] wrote was a gospel song called ‘God Has Made,’” remembers Judith Hill. The singer/songwriter was only 4 at the time, but she still has a recording of it. “It goes, ‘God has made / the birds and the bees,’” she sings, laughing. “It’s pretty bad singing, but I guess for a 4-year-old, it’s not that bad.”

Now 29, Hill has been recording albums with her parents, both professional musicians, since she was a kid. Her mother, a Japanese American classical pianist, and her father, an African American bass player, met while playing in The Chester Thompson Band, a funk band in the ’70s. Rufus and Sly and the Family Stone were regulars in the Hill household.

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Judith Hill made a name for herself when she was chosen by Michael Jackson to be his duet partner for his “This Is It” comeback tour, originally scheduled for 2009. When Jackson passed away prematurely, Hill sang a memorable rendition of “Heal the World” at his televised memorial. In the next few years, Hill performed internationally, recorded a song with Japanese American singer Ai, composed songs for Spike Lee’s film Red Hook Summer, and sang back-up for Stevie Wonder — keeping busy, but not quite ready to step back into the mainstream spotlight.

When she decided to audition for NBC’s The Voice in 2013, Hill was aware of the stigma of entering a prime time TV singing competition.

“In the beginning, whenever I told people that I was going on The Voice, they were like ‘What are you doing?’” says Hill. “At first, I felt that way about reality shows too, but then I looked at it objectively. In this day and age, the music business has changed so much, and we, as artists, have to find different ways to get ourselves out there. And television is the strongest thing right now.”

Most importantly, Hill wanted to show the world her artistry. To prepare for her audition, a cover of Christina Aguilera’s “What a Girl Wants,” she jammed with her mom at the piano until she discovered how to make the song her own.

“The original melody is very percussive, and I basically took the lyric and created my own soulful melody,” says Hill. “Then I sang the chorus as everyone knows it, and I knew that was what was going to sell it. As a soul singer, I have to have the freedom to play, so that’s why I slowed it down and loosened up the phrases and melodies. Then that’s when my voice shines the most.”

This type of musicality ended up defining Hill’s signature style on the show, whether she was in her comfort zone covering Nina Simone’s jazzy “Feeling Good“ or completely transforming songs such as Will.i.Am’s up-tempo “#thatpower.”

While reality shows can come across as packaged, Hill was pleasantly surprised at how much freedom she was given to compose her covers each week. “I had almost 100 percent creative control,” she says. “That’s what made it so good. The music department really respected me, so I was able to bring in my arrangements and charts, give it to the band, and they played it exactly how I wanted them to play it.”

Hill, a lover of fashion, was also able to work with the wardrobe department to make sure the visuals of her performance had the same knockout quality as her vocals. Because of these supportive collaborations, even after her much-contested elimination after her Top 8 performance, Hill emerged from the show more confident as she moves forward with plans to release her debut solo album.

“The stylist from The Voice really helped me understand myself more,” says Hill. “There’s something I love about looking elegant but also edgy, and I think this describes my music, too. All my music is a very classic soul sound, but it’s also edgy with the funk, the dance music, and the ethnic sounds. There’s also something about coming onstage with a fierce, exotic and high-fashion look that helps empower me. It’s a part of who I am and what I love.”

This story was originally published in our Fall 2013 issue. Get your copy here

MUST WATCH: Talented Filipino YouTube Sensations on “The Ellen DeGeneres Show”

Months ago, a video of a pair of young and talented musicians went viral. The only problem? No one could identify them. For a while, different YouTube sources were placing various labels on the mysterious duo. One source titled the video “Asian kid,” while others took a stab at guessing their race. Finally, it was confirmed that the pair are from the Philippines, but all other information about them remained a mystery.

That’s when Ellen Degeneres set her sights on finding the talented boys and sent out a public invitation.

Months later, the teenagers were identified as Aldrich Lloyd Talonding and James Walter Bucong. The two musicians accepted Ellen’s invitation and found themselves in Burbank, Calif., to perform in front of an excited audience.

During the interview, it was revealed that Talonding’s father passed away in June due to non-Hodgkin’s lymphoma. Because of this, their cover of Luther Vandross’ song, “Dance with My Father,” became even more meaningful.

The boys talked about handling YouTube stardom and girls, and even went home with a handful of goodies (a guitar and a piano!) and a check for $10,000. Watch their breathtaking performance below:

From Keith Urban to The Voice: Christine Wu Can Throw Down and Do a Hoedown

Meet the multi-hyphenate musician who can “throw down and do a hoedown” with the best of ‘em, from Keith Urban to The Voice‘s latest champ. Story by Jimmy Lee.

Back in June, Christine Wu’s workweek started on Monday with a violin performance on the penultimate episode of NBC’s The Voice. On Wednesday, she was part of the band backing the newly crowned The Voice champ, Danielle Bradbery, on The Tonight Show with Jay Leno, where viewers watched the cameras zoom in on Wu for a close-up during a fiddle solo. Her Thursday night gig was at the L.A. International Airport, playing with an orchestra at a special gala for local big- wigs, including the mayor, to preview a new terminal.

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Just another atypical week at the office for the violinist, cellist, pianist, composer, producer and dancer.

But at one time, it was a rather conventional narrative — all too familiar to many Asian American children — for this daughter of a Taiwanese father who came to the U.S. and met her German American mother in grad school: Her parents forced her to play the violin, starting at the age of 2.

“I’m half-Asian; it’s my biological imperative to either play the piano or the violin before you can properly walk or speak,” says Wu, just one of many wisecracks that come from the irreverent 36-year-old. Despite wanting to quit, she exhibited a high musical aptitude, adding the cello and the piano to her repertoire by age 5. “My mother, she was trying to take the fun out of everything. She said, ‘That’s really great you can play Beethoven by ear, but you’re probably doing it wrong, so you need lessons.’”

Wu, who was born in Germany and moved frequently throughout the U.S. due to her physicist father’s jobs, was now required to practice all three instruments, every day, which cut into her playtime. So at 5 years old, Wu would wake up at 5 a.m., practice each instrument for half and hour and then go to school. “I was like my own tiger mother. I was like, ‘How can I game the system if I want to be free after school?’ I have to get up early.”

While a music undergrad at Duquesne University in Pittsburgh, her jazz friends encouraged her to do something she thought she couldn’t do: improvise. That obstacle, too, was overcome. Now “I can jam or do whatever, and I love it,” says Wu. “It’s brought me some great opportunities.”

She’s supported famed singer-songwriter Paul Anka and Bollywood icon A.R. Rahman, traveling to far-flung places such as Uruguay and South Africa for concerts. Her talents have been displayed on American Idol and Dancing With The Stars. She’s even backed Billy Ray Cyrus. “Who knew that Asian nerd could throw down and do a hoedown?” jokes Wu, on playing behind the country crooner of “Achy Breaky Heart.” It worked out well because the next week Keith Urban’s people called her to play a fiddle part on one of his recordings.

Wu seems to take special delight in upending people’s expectations, like with Kenny Loggins. “He looks at me and he’s like, ‘I don’t think so,’ because … I’m Asian. [Loggins thinks] ‘she has to read music, and she can’t groove.’ But [his managers] are like, ‘Just give her a chance.’ So I get up there and do the thing, and I get the gig,” recounts Wu.

“I really have met a lot of my idols and worked with them. I would have never guessed, listening to [Loggins’] ‘Danny’s Song’ over and over again in high school, that I would be on stage with the guy, playing it in front of 8,000 people in Vegas.”

But getting to this point where she’s an in-demand session musician, who also composes commercial jingles, writes her own artsy pop songs and produces music videos, would not have been possible if she hadn’t gone against her dad’s wishes. After earning a graduate degree at the University of Southern California, she landed a full-time position with the Houston Symphony, beating out dozens of other violinists. “That was my straight job,” says Wu. “That was the job my dad wanted me to have, [with] tenure, benefits, job security.” But after five years in Houston, she made the move to Los Angeles in 2007 to devote her attention to working for herself.

“He still asks me if I’m making enough money, like my regular salary,” says Wu. “I tell my dad I make more money than I ever was working for the symphony. But then he says you have no job security. [I tell him] nobody does anymore. But he sees that I’m happy and making it work.”

Photo by Michael Becker. Originally published in the Fall 2013 issue of Audrey Magazine. Get the issue here.

Sandy Vu of SISU = the New Karen O of Yeah Yeah Yeahs?

I think I have a new female rock star crush – and she goes by Sandy Vu. While fans of Karen O might find some similarities between Vu and the Yeah Yeah Yeahs lead singer, I think Vu has something going on for herself. She’s still in your face like Karen O, but does it in a manner that gets under your skin in a more subtle way. Did I also mention she’s also incredibly gorgeous?

Formerly of the group The Dum Dum Girls, Vu branched off for a solo venture as SISU. Catch the artist’s first single “Harpoons” off her upcoming solo debut album, BloodTears (which will be released on September 17). You can watch the music video for “Harpoons” below!

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G-Dragon Stages a “Coup D’Etat” With Lydia Paek, Sky Ferreira and Other Major Music Stars

Just days after his show-stopping, electrifying performance with Missy Elliott in Los Angeles, K-Pop heavyweight G-Dragon released five out of 14 slated tracks from his upcoming album, “COUP D’ETAT,” scheduled for full digital release on September 5th.  Besides Missy, “COUP D’ETAT PT. 1″ showcases a star-studded list of musical collaborations, including “Black” featuring indie sweetheart Sky Ferreira, “R.O.D.” with YG producer and former Quest Crew member Lydia Paek, and “Coup D’Etat,” the album’s first single, with producers Diplo and Baauer.   With this star-studded list of impressive team-ups and creative, diverse productions, GD is establishing himself as an international music force, and we can’t help but smile at this singer-songwriter-producer-rapper’s cross-continental success.

Immediately upon release, GD found himself in an interesting musical competition on the charts; two of his title tracks, the old-school “Who You?” (admittedly, one of my favorites) and the cool slow jam “Black” competed for the top spot on the Melon charts.  In addition, all of the released songs took up the first five spots on both the Mnet and Naver charts, a true display off the star’s immense popularity.

This little taste of GD’s new music has undoubtedly piqued our interest that much more in the hallyu megastar.  His releases, including 2009′s Heartbreaker and last year’s One of a Kind, are always an auditory adventure, definitely straying away from the majority of songs on both the K-Pop and American Top 40 scenes.  To say that we’re wanting more is definitely an understatement.

Countdown to KCON 2013 | Music Post: Your Crash Course of this Year’s Acts!

In just a matter of days, KCON makes its way back the City of Angels to celebrate all things hallyu.  This year’s two-day convention will be filled with workshops and panels and culminate in a star-studded concert and filming of the popular Korean music show, M Countdown.

Excited yet?  We know we are!

But just in case you aren’t yet, us here at Audrey wanted to give you taste of what to expect for this year’s show through our musical go-to guide of some of this year’s featured artists!

 

EXO
The newest boy group to come out of mega-label SM Entertainment (and an Audrey favorite!), EXO is a 12-member Korean-Chinese band made up of two subgroups, EXO-K and EXO-M, who promote in both Korea and China. Though they just debuted last year, they have made a name for themselves in the K-Pop industry, already winning an Mnet Asian Music Award (MAMA) for “Best New Asian Act.”

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For their latest comeback, the two sub-groups have reunited and have gained notice with their cool, R&B-inspired single “Growl.”

“MAMA”

Other notables: “XOXO (Korean Ver.),” “Don’t Go

 

G-DRAGON
Starting his training at YG Entertainment at the tender age of 13, G-Dragon is known as a K-Pop multi-hyphenate as the leader, a rapper and producer of mega-popular boy group Big Bang.  Alongside projects with Big Bang as well as a duo project with fellow Big Bang rapper T.O.P., GD launched his solo career in 2009 with the release of his first album.  After his hugely successful “One of a Kind” world tour this past year, he has recently announced the release of his third solo record, “Coup D’Etat,” which will have a feature from hip-hop heavyweight, Missy Elliott.

“Heartbreaker”

Other notables: “Missing You (ft. Kim Yuna of Jaurim),” “Light It Up (ft. Tablo & Dok2)

 

TEEN TOP
Debuting in 2010 with TOP Media (the media company founded by Andy of K-Pop legends, Shinhwa), Teen Top broke onto the scene with their first single, “Clap.”  With a string of hits under their belt, including “Supa Love” and “Crazy,” the young teen idols will be releasing their new album, “Class,” in the coming weeks.

“Supa Luv”

Other notables: “Clap,” “Be Ma Girl

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F(X)
With a distinct electronic pop sound, f(x) has become known as one of the hottest girl groups in K-Pop today. With songs like “NU ABO,” “Hot Summer,” and “Electric Shock,” the girls are nothing short of a K-Pop powerhouse. Composed of members Luna, Krystal, Amber, Sulli, and Victoria, this SM Entertainment quintet has continued to surprise and delight fans with their unique style.

“Electric Shock”

Other notables: “Nu ABO,” “Hot Summer

 

HENRY
Henry Lau, known just as Henry, is multi-talented member of Super Junior’s Chinese sub-group, Super Junior-M. Knowing a wide range of languages, including English, Korean, Mandarin, Cantonese and French, this 23-year old has a penchant for music. He is able to play both the violin and piano and has composed songs. Earlier this year, he released his first solo mini-album, “Trap” and has just released the song “1-4-3” featuring fellow SM Town family member, Amber of f(x).

“Trap”

Other notables: “1-4-3 (Acoustic ft. Chanyeol of EXO),Henry Playing Trap & Chopin on Piano

 

2AM
From JYP/Big Hit Entertainment comes 2AM, a popular ballad group made up of members Seulong, Changmin, Jo Kwon and Jinwoon. Winning their first Mutizen award in 2010 for “Can’t Let You Go Even If I Die,” they have melted hearts with their sweet harmonies and outstanding voices. Earlier this year, they made their Korean comeback with the release of their second full-length album “One Spring Day.

“Can’t Let You Go Even If I Die”

Other notables: “I Was Wrong,” “You Wouldn’t Answer My Call

 

YU SEUNG WOO
At just 16 years old, Yu Seung Woo first began to catch people’s attention when he appeared on Mnet’s popular singing audition program, Superstar K4. His soothing guitar playing and gentle voice have made many a fan, especially on tracks like “You and I” and “Hello,” off of his recently released album, “First Outing.”

“You and I”

Other notables: “TroubleMaker (Cover, starts at 1:02),” “Gangnam Style (PSY Cover, Superstar K4),” “I Love You (2NE1 Cover, ft. Kim Jung Hwan)

 

DYNAMIC DUO
This team, made up of long-time friends Choiza and Gaeko, have become one of the most respected acts in South Korea’s hip-hop scene. Active since 2003, they have released a number of hit albums, including “Taxi Driver” and “Enlightened.”

“Hot Wings (ft. Hyorin of Sistar)”

Other notables: “Without You,” “Trust Me (ft. Supreme Team)

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MISSY ELLIOTT
As the only female rapper to have six platinum albums, to say that Missy Elliott is a major player in the hip-hop scene is an understatement. A five-time Grammy Award-winner, the rapper-producer-singer-songwriter has sold over 30 million records worldwide. With a discography that boasts six albums and 70 singles (including 43 features), including hits like “Work It,” “The Rain (Supa Dupa Fly),” and “One Minute Man.”  Her connection to the K-Pop scene? She’s recently collaborated on G-Dragon’s latest album, to be released at the end of this month.

“Work It”

Other notables: “Lose Control,” “Get Your Freak On

 

DJ KOO
A former member of ‘90s dance duo Clon, DJ Koo is a popular electro-house DJ who made his debut in 2003. Playing festivals like Miami’s Ultra Music Festival, DJ Koo has demonstrated his immense skill and creativity in arranging, mixing and producing electronic dance hits, even mixing for some of K-Pop’s biggest names including f(x) and SHINee. In 2013, he released his latest single, “BOB BOB DEE LALA.”

Other notables: “K-Pop Shuffle Remix,” “Electric Shock (Intro Remix ft. DJ Koo)

 

HEEJUN HAN
As a finalist on the 11th season of American Idol, Heejun Han caught America’s attention with his soulful voice and funny antics.  Recently singing with Polaris Entertainment in Korea, he will soon be releasing a single in the US entitled “Bring the Love Back” with Pusha T.

Other notables: “How Deep Is Your Love,” “Treasure

 

Who are you most excited to see this year?  Let us know in the comments below!

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At Coachella and Beyond, DJ Maya Jane Coles Can Move a Dance Floor

AFTER COACHELLA, MAYA JANE COLES GETS SET TO RELEASE HER DEBUT ALBUM, COMFORT, IN JULY. By Jimmy Lee, photo by Thomas Knights.

 

When Maya Jane Coles takes her spot in front of her laptop, a mixing board and two turntables at illustrious venues such as the 2013 Coachella Valley Music and Arts Festival, her slight, just over 5-foot frame is hard to see behind all that equipment from across a dance floor. You can barely make out her asymmetrical haircut, with the left side of her head shaved close, floating above the top of the MacBook Pro.

But then she drops a house beat and a pre-recorded male voice offers up a brief introduction — “Give it up for Maya Jane Coles” — and immediately there’s no mistaking her presence, because the crowd is soon a dancing frenzy, like the night she deejayed at the downtown Los Angeles club, Exchange L.A., back in March. From just after midnight to well past 1 in the morning, bodies are in constant motion, and overseeing it all, with her head bobbing to the beat, as if nodding in approval of the hip-shaking as well as the lip-kissing between couples that the insistent rhythms seem to engender, is Coles.

Amid today’s landscape of globe-trotting DJs dispensing irresistible dance grooves, Coles is distinguishing herself with the ability to move a dance floor. But being a club DJ isn’t even her primary focus. “I definitely consider myself a writer and producer first and a DJ second, though I couldn’t live with either,” says Coles.

Born in London of British and Japanese ancestry, Coles grew up in a household hearing Jamaican dub and reggae, Brazilian bossanova, French classical and American jazz, courtesy of her music-loving parents. She learned how to play the guitar, drums, cello and saxophone, even though “I’m not great at music theory; I’m better playing instruments by ear,” she says. So Coles taught herself the bass and keyboards, as well as how to use music production software.

By the time she was 15, she was using that knowledge to produce hip-hop and trip-hop tracks. The electronic dance music that she would come to create resulted from a growing girl’s partying ways. “I would say I started making more electronic music after I started going clubbing in East London at around 17,” says Coles.

“I was just really inspired by the music and wanted to create my own take on it,” she adds. “Making music is my favorite thing to do in life; there is nothing I would rather do.”

Coles has remixed artists from Ella Fitzgerald and Florence & The Machine to Massive Attack and Little Dragon. “I just listen to the track and decide if I have a good idea for it that I think can take the track into a new space,” she says. “Where possible I try to be respectful of the original, too.”

She has also crafted recordings that forgo the pounding beats of a club track for songs with a more relaxed, seductive vibe. And she’s also applying those keyboard-, guitar- and bass-playing skills to her own original creations, which will be part of her debut album, Comfort, scheduled for a July 1 release.

“It has tracks on it that were started four years ago, to tracks that were literally done a week before mastering,” says Coles. “So it’s been a really long process until I got it to a place that I felt happy enough to draw a line and say, ‘Finished.’”

Comfort will also be released on her own label, called I/AM/ME. “I didn’t have to make concessions creatively,” says Coles. “I like the satisfaction of doing it all myself and knowing I had full control of the outcome. Making an idea in my head come to life or reshaping an idea into something new is the most exciting part of the process for me.”

 

This story was originally published in Audrey‘s Summer 2013 issue. Buy it here.