Get a K-pop Complexion: Cailyn Precious Blend BB Cream

CAILYN PRECIOUS BLEND BB CREAM

Overview: An editor favorite with a good range of shades for Asian skin (including deeper tones) and an innovative application tool.

Coverage: Medium

Shades: 6 (from 01 Porcelain to 06 Maple)

Price: $35

Benefits: In addition to hydrating and protecting, this BB cream is formulated to be applied with Cailyn’s BB perfector (purchased separately), a vibrating tool with antibacterial puffs to “buff” your way to perfection.

Review: The formulation has a medium-light texture that sinks in fast on skin. It leaves a nice, dewy finish. The 02 Sandstone shade is more olive than golden, and it doesn’t leave a pale, masky look. It’s a good color for East Asian skin. One of our favorites.

More BB cream reviews at Audrey’s Guide to BB Cream here.

How NOT To Deal With Racism: Bobby Jindal Talks ‘Hyphenated Americans’

Bobby Jindal, the current Governor of Louisiana and the Chairman of the Republican Governors Association, recently wrote a story on race for Politico, an American political journalism organization.

“Scan the news on any given day in America, and you will invariably find multiple stories about race, racism, ethnicity, and race relations,” Jindal writes,  “We can’t seem to get enough of this topic, and correspondingly, the media appetite for all things race-related is unquenchable.” I nodded my head to this. After all, when you write for  an Asian-American Women’s Magazine Publication, how can you not pay attention to race?

He then continued to point out that we ought to be judged by our character instead of the color of our skin. He notes that humans are shallow to think of others in terms of their skin color. Again, I found myself nodding in agreement. I can’t even count the number of times we’ve found ourselves angry at being associated with stereotypes simply because we’re Asian.

But then his opinion piece starts taking an abrupt turn. “Yet we still place far too much emphasis on our “separateness,” our heritage, ethnic background, skin color, etc.” Jindal writes, “We live in the age of hyphenated Americans: Asian-Americans, Italian-Americans, African-Americans, Mexican-Americans, Cuban-Americans, Indian-Americans, and Native Americans, to name just a few. Here’s an idea: How about just “Americans?” That has a nice ring to it, if you ask me. Placing undue emphasis on our “separateness” is a step backward.”

Wait, what?

He ends his piece by stating, “We are all created in the image of God — skinny, fat, tall, short, dark, light, whatever. Who cares? What does it matter? It’s time to get over it. It’s time for the end of race in America. Now that would be progress.”

This is the point where we shake our heads in a very frustrated no. Our culture is a very very big part of our identity and its most definitely something we can’t ignore. Yes, I consider myself an Asian-American, or according to Jindal a “hyphenated American”, because I choose not to lose any more of my already blurry cultural identity. I choose to be a “hyphenated American” because even if we wanted to go along with the unrealistic belief that all Americans are treated equally, how can we possibly ignore all the racial slurs and all the racial stereotyping? How is ignoring a problem the solution to solving it?

While I agree that in an ideal world, judgement would be based on character as oppose to the color of one’s skin, the idea of being completely “color-blind” is not the solution. Is it not better to keep our eyes open, and accept all the colors none-the-less? We can’t pretend to be colorblind because ultimately many people are indeed treated a certain way because of the color of their skin. It is only by looking at the issue full-on and realizing that inequality is present that we can hope to address the problem.

 

Audrey’s Women of Influence | Madhulika Sikka, Executive Editor for NPR News (with Web Exclusives!)

Article: WOMEN OF INFLUENCE
ISSUE: FALL 2013

Influence comes in many forms, from high-profile advocates who are shaping ideas on an international stage to local heroes who are breaking barriers and defying expectations in their own communities. In our inaugural series celebrating influential Asian American women, Audrey Magazine highlights eight newsmakers, activists, leaders and trailblazers who encourage us to pursue our dreams, explore the unknown, and stand up for those without a voice.

CLICK HERE FOR MORE ASIAN AMERICAN INFLUENTIAL WOMEN!

by Ada Tseng

Screen Shot 2013-08-26 at 3.28.21 PM

PHOTO COURTESY OF NPR/DOBY PHOTOGRAPHY.

MADHULIKA SIKKA
Executive Editor for NPR News

Every week, 26 million people tune in to National Public Radio programs and NPR Newscasts — more than the total circulation of the top national newspapers — and since January 2013, Madhulika Sikka, an Indian American woman born in England, has been responsible for setting the agenda for the entire news division.

On any given morning, her team could be placing equal importance on the Detroit bankruptcy, President Obama’s economic tour, the golden age of television, new methods to engage their audience in an honest discussion about race, and Prince George Alexander Louis of Cambridge, a.k.a. the royal baby.

“I’m a big believer in satisfying your wonk and your whimsy,” says Sikka, who previously executive produced NPR’s newsmagazine Morning Edition. “It might have something to do with my own personal news ADD, but I just think that we’re curious people, and we’re curious about lots of things. It is no accident that we have a program called All Things Considered.”

Neal-Handel-728x90-Leaderboard-Ad

Sikka is extremely pleased with NPR’s global health and science coverage that other broadcasters don’t cover as thoroughly — exploring tuberculosis outbreaks around the world and incidents of polio coming back — but she also wants to make sure her listeners are prepared for lighter water-cooler conversations around the office.

“We have two extraordinary female correspondents that covered Syria as well as anybody, and I’m proud of that coverage because it’s vital to our mission,” says Sikka. “But I’m also proud of the enormously great coverage we’ve done on cultural issues, like this summer’s series on the different kinds of media that kids are exposed to.”

But being multifaceted in content is not enough: it’s also very important to Sikka that NPR News continually evolves with technology and that there’s a fluid relationship between all platforms, whether it’s radio, digital tech, multimedia or social media. “None of us could have imagined the incredible range of ways we get to tell our stories now,” she says. “It’s really incredible the things we can do, the tools that we accrue, and how technology allows us to be in places that might have been completely out of reach before.”

Next year, Sikka will be publishing her first book, The Breast Cancer Alphabet, a collection of personal essays she wrote when she was diagnosed with breast cancer in 2010 and went through treatment in 2011. “There’s kind of a mythology around breast cancer that’s very pink and fluffy and positive,” she says. “And that is not the experience the whole time, so I felt like I gave myself permission to not feel that way. It ended up being an alphabet — starting at A for Anxiety, H for Hair, M for Mastectomy, ending at Z — and I hope it will be of use to other people going through it.”

Whether it’s providing “4 Tips To Help A Foodie Get Through Chemo,” penning a Daily Beast article about her late mother’s bravery (“As I wrapped her body in a red sari for her funeral, it dawned on me that her refusal to dress in Western clothing was more pioneering than anything I had ever done”), or slipping behind the scenes to study how best to engage her growing NPR audience (an intellectually curious group that hungers for, above all, interesting stories), Sikka wants us to open up our minds in terms of how we view the world.

“I think our primary goal is to provide information so they can be informed about the decisions and choices they make,” says Sikka. “If [our listeners] learn one thing that they didn’t know before, then we’re doing pretty well. An informed democracy is a more healthy democracy.”

 

WEB EXCLUSIVES:

On why she’s wanted to be a journalist since she was 16

I wanted to be able to shed light on things that were happening around the country and around the globe. I grew up in England watching the BBC and being impressed at their ability to be everywhere, to open a window to places and issues that I might not have otherwise thought about. And I thought that was a wonderful thing to do.

On the difference between working on Morning Edition vs. being Executive Editor of NPR News

When you produce a daily news show, it’s very focused. You’re responsible for filling two hours every day without a break, so producing Morning Edition helped me hone the skill of working fast and being decisive — which is what a deadline does to you.

[Being Executive Editor of] NPR News is different. I’ve been a news person my whole life — that is what runs through my blood system, and that’s hard to eliminate — but now, to have a hand in discussing broader coverage, and even coverage online, is a really exciting new prospect for me. How can we move, how can we react, what’s appropriate for each particular outlet? For example, when the President came out unannounced [to speak about the Zimmerman verdict and reactions in the African American community], I realized it was a pretty extraordinary thing to hear a President speak that way, so we were able to get together very quickly and talk about what we’d do in next hour, the next morning, the morning after that, what we’d do online, etc. And that’s really what you come in for.

LuckyStrike_AudreyBanners_0713_720x90

On her first book, The Breast Cancer Alphabet

I never thought I’d write a book, and I certainly didn’t think this was the book I’d write if I was going to write a book. When I was getting treatment, I was just writing a little bit for myself, because I had things I needed to get out. A lot of people encouraged me to write and then talking to people helped me hone a concept. My agents and publishers are excited about it, because they think it’s a different kind of cancer book.

Who influences you?

I wrote about my mother and her death in an article that was published in the Daily Beast.  It took me a while to come to the realization that she was a very brave woman. She got married when she was not quite 18, left her family behind and moved to England in 1960s.

I think that there’s a different measure for our modern interpretation of a brave woman, but it’s kind of extraordinary to think about that generation of women in the Indian diaspora and the idea that you’d have three kids with a stranger in an arranged marriage and raise them by yourself with no family around in early 1960′s England, which wasn’t the most hospitable place in the world for people of color, all without the benefits that we have today. I can’t go a week without calling my family in England, but Skype wasn’t even around when she was alive.

So are there amazing pioneering women in journalism? Yes, of course, and also in other spheres of life, but when I actually took the time to think about what my mom did, it’s pretty remarkable.

 

BUY THE FALL 2013 ISSUE FEATURING OUR WOMEN OF INFLUENCE HERE.

 

Audrey Magazine’s Women of Influence | Keli Lee, Executive VP of Casting at ABC Entertainment (with Web Exclusives!)

Article: WOMEN OF INFLUENCE
ISSUE: FALL 2013

Influence comes in many forms, from high-profile advocates who are shaping ideas on an international stage to local heroes who are breaking barriers and defying expectations in their own communities. In our inaugural series celebrating influential Asian American women, Audrey Magazine highlights eight newsmakers, activists, leaders and trailblazers who encourage us to pursue our dreams, explore the unknown, and stand up for those without a voice.

CLICK HERE FOR MORE ASIAN AMERICAN INFLUENTIAL WOMEN!

by Ada Tseng

Screen Shot 2013-08-26 at 8.39.45 AM
Photo by Narith Vann Ta.

KELI LEE
Executive VP of Casting at ABC Entertainment

For everyone who’s grateful for the recent rise of minority faces on American television, it’s important to note that behind every Sandra Oh in Grey’s Anatomy, every Daniel Dae Kim, Yunjin Kim, Jorge Garcia and Naveen Andrews in Lost, is a casting director responsible for pairing these actors with the unforgettable roles that will go down in television history.

Keli Lee, an executive who has been casting TV shows at ABC for more than 20 years, was on her way to law school when she landed a fortuitous college internship that introduced her to the entertainment casting industry. In her first week working for Phyllis Huffman, who often did casting for Clint Eastwood’s films, Lee operated the video camera that captured the auditions for the Academy Award-winning 1992 film Unforgiven. From there, she eventually worked her way up the ladder, and as Executive VP of Casting at ABC, Lee now has a corner office with a view and spends her days looking for the next new star.

Born in South Korea, Lee moved to the States as a toddler, and whenever her father stayed in Korea for work, her adventurous, road-trip-loving mother would move her young kids to a new state every six or seven months, depending on her whims. “Up until I was 13, I never started or finished the same school, so I met thousands of people from around the country,” says Lee. “It forced me to socialize and understand people, and ultimately I think that’s how I got to be good at what I do. I’m searching for people and learning about their emotional core.”

For Lee, more important than finding a good-looking specimen or skilled thespian is determining whether the actor is authentic. “I think within the first 10 seconds of meeting someone, you can get a sense of a person,” says Lee. “You know whether you want to continue to watch them.”

Twelve years ago, Lee started the ABC Casting Department’s Talent Showcase with the goal of providing more opportunities for minority actors who either don’t have representation or aren’t even aware of the opportunities available. Since its inception, 14,000 people have auditioned, and 432 actors have participated in 30 showcases, with winners earning mentorships. Beneficiaries of this program include Liza Lapira (Crazy Stupid Love,Don’t Trust the B— in Apartment 23), Carrie Ann Inaba (Dancing with the Stars), Aaron Yoo (Disturbia, 21), Archie Kao (CSI), Randall Park (Larry Crowne, The Five-Year Engagement), and Janina Gavankar (True Blood, The L Word).

In the upcoming fall season on ABC, TV audiences can look out for Ming-Na Wen and Chloe Wang Bennet in Marvel’s Agents of S.H.I.E.L.D., Liza Lapira in Super Fun Night, Ginger Gonzaga in Mixology, Summer Bishil in Lucky 7, and Albert Tsai in Trophy Wife.

“My goal is to change the face of television,” says Lee. “When I came to the U.S. at age 2, there wasn’t much diversity on television, and now, it’s such a different time.”

GET THE FALL ISSUE FEATURING OUR WOMEN OF INFLUENCE FEATURE NOW!

 

WEB EXCLUSIVES:

On how she ended up in the casting industry

Like most Korean American families, entertainment [as a career] was not an option. It was the stereotype: are you going to be a doctor or a lawyer? So, I had planned to go to law school, I was studying philosophy at NYU, and I was a hostess at Caroline’s Comedy Club, so it was the comedians who introduced me to the world of entertainment. I actually fell into this business. I got an internship in casting and worked my way up, while I went to school full time at NYU. First, I worked at Warner Brothers, and then I went to ABC, where I’ve been for 21 years.

On starting ABC Casting Department’s Talent Showcase to find diverse talent

12 years ago, we were talking about diversity and thinking about how we can provide more opportunities for diverse actors, so I started this showcase program to give exposure and training to actors who either don’t have the representation or aren’t even aware of the opportunities that exist. After my team auditions the actors, we select the top 15-20, and we put them through this training program. Usually you have material, and you find people to play the characters, but this is the reverse: we find the right actors and then try to find the right material for them. Some of the actors who’ve gone through this program that we’re excited about are: Liza Lapira, who was on Don’t Trust The B—- in Apt 23, Jorge Garcia from Lost, Dania Ramirez from Devious Maids, and Jesse Williams on Grey’s Anatomy.

On their first digital talent competition this summer

This is new. We’re the first network to launch a digital talent competition. We had over 14,000 submissions, we’re having a public vote, and the winner will be announced August 30. The winner gets $10,000 and a talent option hold with ABC. Just based on the submissions, I’m excited to be able to find new faces. These are actors from around the country: there’s coming from everywhere from Florida to Alabama, and it’s really great to hear some of their stories.

On the Latino and Asian Outreach Initiatives

This is international. We started this program last year. For the Latino Outreach, we targeted Mexico, Latin America and Spain, and I’m excited to say that one of actors we found in first year of the Latino Outreach Initiative, Adan Canto, was cast as series regular in Mixology. The Asian Outreach Initiative started in India, and we just expanded to the Philippines this year.

Asian faces to look out for in the 2013-14 ABC season

Aubrey Anderson Emmons in Modern Family
Ming-Na Wen and Chloe Wang Bennet in Marvel’s Agents of S.H.I.E.L.D.
Ginger Gonzaga in Mixology
Liza Lapira in Super Fun Night
Sandra Oh in her last season of Grey’s Anatomy
Yunjin Kim in Mistresses
Summer Bishil in Lucky 7
Albert Tsai in Trophy Wife
Griffin Gluck in Back in the Game
Naveen Andrews in Once Upon a Time in Wonderland
Tim Jo in The Neighbors

Who influences you?

I have an amazing circle of really strong, smart, successful female friends, and we feed off that positive energy and help each other out. That’s part of what I do in my profession: I’m helping people realize their dreams, and that’s what we do for each other. I often have these conversations with my girlfriends, where I wish I had women as role models or mentors, so now that we’re in our positions, we think, how can we help empower other women and be role models for them? All these female pioneers paved the way for us, so how can we pave the way for other women?

 

BUY THE FALL 2013 ISSUE FEATURING OUR WOMEN OF INFLUENCE HERE.

LuckyStrike_AudreyBanners_0713_720x90

 

Ziyi Zhang’s most memorable movie moments

With the latest release of Ziyi Zhang’s newest movie, The Grandmaster, let’s take a trip down memory lane with some of her best movie moments, gif style!

Memoirs of a Geisha

That moment when she not only stopped a man in his tracks with a single look, but probably every single viewer too.

tumblr_mrvwbpnsc21sx7hc6o3_400

Her intense performance of the snow dance. tumblr_mrqapxAtLE1r2d2vgo1_500

tumblr_mrqapxAtLE1r2d2vgo2_500

House of Flying Daggers

When she captivated the audience with her graceful and beautiful dancing.

tumblr_mraaggJni01sx2peuo1_500[1]

large

Crouching Tiger, Hidden Dragon. 

Her fight scene vs. Michelle Yeoh which hands down, is one of the best.tumblr_mlif5cs7hU1riop3bo1_r1_500

When she took out three men effortlessly using just her feet.tumblr_mq2lapqQ3A1sagi1uo6_400

When she defended herself with just one arm while holding tea in the other like it was no big deal.

tumblr_mokl3zEMBK1qe3cxyo6_250

Rush Hour 2

When she managed to sport a great up do in less than three seconds and look intimidating at the same time.tumblr_mrqlwqqJi71sok8elo1_500

When she unexpectedly came out of no where with her high kick.  tumblr_mj3o7p60bc1qbtzbno1_r3_500

And last but not least, this epic moment in The Grandmaster where she fights to regain her family’s honor.

The_Grandmaster[1]

The Grandmaster has already premiered in Los Angeles and New York, and will be released nationwide on August 30. Don’t miss out on this action packed movie! There definitely will be several gif worthy scenes!

 

Get a K-pop Complexion: Comodynes Urban Cosmetics BB Color Skin Perfector

COMODYNES URBAN COSMETICS BB COLOR SKIN PERFECTOR

Highlight: Darker tints for deeper skin

Coverage: Sheer to Medium

Shades: 2 (Medium, Dark)

Price: $25

Benefits: This oil-free formula contains a mineral sunscreen of SPF 15, hyaluronic acid to moisturize, hazelnut extract for elasticity and firmness, Fomes Officinalis extract to smooth skin and reduce the look of pores, Vitamin E to fight free radicals, illuminating pigments to neutralize imperfections and dark circles, paraben-free, allergen-free perfume, and without mineral oils.

Review: A lighter texture that sinks in fast. The finish is nice and natural-looking, like a sheer veil over imperfections. It’s almost matte, not shiny like some BB creams. The color is true to its name and not pale or pasty. For light skin, the Medium may be a bit dark.

Read more reviews at Audrey’s Guide to BB Cream here.

Proof That Chang Chen Looks Good Doing Pretty Much Anything

One of the stars of The Grandmaster, Taiwanese actor Chang Chen is definitely a movie star, in the best sense of the phrase. He’s been casted in a number of films, including Wong Kar-wai’s Happy Together, Three Times (for which he was nominated for the prestigious Palme d’Or at the Cannes Film Festival), and the Ang Lee visual stunner, Crouching Tiger, Hidden Dragon.

But besides being an incredible actor, we’ve come to notice that Chang Chen is one of those rare people that seems to be able look incredibly handsome pretty much all the time, during both the most exciting and banal of tasks.

What sorts of things, might you ask? Well, things like…

 

…taking a picture.
ChangC_1

…drinking water
ChangC_2

…riding a bike.
ChangC_5

…throwing a sweater over his shoulder.ChangC_4

…enjoying a cup of espresso.
ChangC_3

…sitting down in a room.
ChangC_6

…holding his face in his hands.
ChangC_7

…holding an umbrella.
ChangC_9

…and most impressively, getting ready to kick some butt in The Grandmaster.
ChangC_8

What’s your favorite Chang Chen look?

Osaka Mayor Remains Defiant Over Comfort Women Remarks

by Steve Han

Osaka Mayor Toru Hashimoto asked that San Francisco’s Board of Supervisors retract its condemnation of his remarks justifying Japan’s use of sex slaves during World War II.

In a letter sent to Osaka’s sister-city, the Japanese right-wing politician said his words were “misunderstood” by San Francisco’s equivalent to a city council as he never “legitimatized or defended” Japan’s institution of “comfort women,” a term used to describe sex slaves.

“My statements … have always been consistent with my concern for the protection and enhancement of women’s dignity and human rights,” he wrote.

Hashimoto came under scrutiny across the world in May, after he said that comfort women were “necessary” for Japanese soldiers during the war.

San Francisco criticized Hashimoto’s remarks on the city’s website in June, drafting a resolution that stated that the board “strongly condemns” the Mayor’s “attitude and statements” for “justifying the state-sponsored ‘comfort women’ system which forced hundreds of thousands of Asian women into sexual servitude for the Japanese military.”

The city board’s condemnation led to Hashimoto canceling his planned trip to San Francisco and New York in June.

Wong Kar-wai Made Tony Leung Fight a Real Martial Arts Champion in The Grandmaster

After a successful run in China where it was released earlier this year, Wong Kar-wai’s The Grandmaster opens in the US today, August 23. The story about Wing Chun grandmaster Ip Man, most famous in the West for training Bruce Lee, stars Tony Leung, Zhang Ziyi, Chang Chen, Cung Le, and Song Hye-kyo.

Director Wong Kar-wai is known for his intense, free-falling style of filming, where the actors often don’t even get scripts beforehand. (At The Grandmaster‘s Academy screening in July, Wong joked that people think he doesn’t have a script, but really, his scripts just aren’t finished until the film is done.) The Grandmaster, which took four years to complete, is his sixth collaboration with Tony Leung.

Leung says this was the first time, in all of his experiences working with Wong, that he actually understood his character prior to shooting — only because it was based on a real person.

“I was very confident on the first day on the set, because I know who I am, so I can respond to different situations,” says Leung. “Before [in previous films], I always had [only] little hints about the character… so I would feel very insecure and frustrated. Also, [this time around,] I always felt very positive and optimistic, and I never had this feeling of calm and peace [on a Wong Kar-wai film] before.” He laughs. “Maybe because all the characters [I played] when I worked with him were very dark and suppressed – very different from this one.”

tonyleungposter

Ip Man not only had the physical skills of martial arts, but he also possessed the wisdom and the desire to leave a legacy that earns him the title of a grandmaster. To prepare for the role, Tony Leung learned kung fu for the first time at age 46, spent four years training, and broke his arm twice in the process.

He calls the opening action sequence in the heavy rain the most difficult scene he’s done in his acting career. It took 40 nights to shoot, and they shot during winter.

“We were shivering behind the camera every night after midnight, and we had to keep ourselves wet all night long,” says Leung. “We couldn’t even change our rubber-soled shoes, because if the camera sees [the dry shoes], then [the shot] would be no good.”

cungle

Cung Le, a mixed martial artist and former International Kickboxing Federation Light Heavyweight World Champion, makes a memorable appearance in that scene, though he says that by the time he showed up to the set, the team had realized they should at least provide him with a wet suit for the bottom half of his body.

“I didn’t know that at the end, I’d have to fight a real champion,” says Leung. “Here’s a guy double my size, a real champion, and I was like, ‘No….’ But Kar-wai said, if you can handle fighting him, you can handle fighting anybody.”

His training paid off, which was confirmed both by Le and co-star Zhang Ziyi, a frequent star of martial arts films herself, on the red carpet of the Los Angeles red carpet premiere at the Arclight Cinemas in Hollywood.

zhangziyiredcarpet

“I couldn’t tell that it was his first time doing [a kung fu film],” says Zhang, who also trained for eight hours a day and had three different masters teaching her various kung fu skills. “He’s such a great professional actor, and he made everything easier.”

“It was a really demanding and exhausting journey,” says Leung, who is proud of the team behind the film. “Everyone [did] their best.”

 

The Grandmaster is currently playing in Los Angeles and New York, and it will be released nationwide on August 30.

Check Out Zhang Ziyi’s Chanel Red Carpet Fashion at the LA Premiere of The Grandmaster

When asked what made The Grandmaster different than other martial arts films she’s done in the past, Zhang Ziyi responded: “I have no weapons in my hands.”

Check out Zhang Ziyi’s red carpet look:

A Chanel Fall 2013 black dress with a pearl-accented leather belt

Screening Of The Weinstein Company's "The Grandmaster" - Red Carpet

Fuschia lips and side-swept waves

zhangziyiredcarpet

Black and gold Casadei pumps

zzyshoes

Chanel handbag

zzipurse

Diamond earrings

zzyearrings

Rings

zzyrings

Add it all together, and you get a Grandmaster of red carpet style!

zhangfashionlook