Audrey’s Women of Influence | Somaly Mam, Co-founder and President of the Somaly Mam Foundation

Article: WOMEN OF INFLUENCE
ISSUE: FALL 2013

Influence comes in many forms, from high-profile advocates who are shaping ideas on an international stage to local heroes who are breaking barriers and defying expectations in their own communities. In our inaugural series celebrating influential Asian American women, Audrey Magazine highlights eight newsmakers, activists, leaders and trailblazers who encourage us to pursue our dreams, explore the unknown, and stand up for those without a voice.

CLICK HERE FOR MORE ASIAN AMERICAN INFLUENTIAL WOMEN!

by Ada Tseng

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“When I was in the brothels, I felt like I had died inside, even though my body was alive,” says Somaly Mam, a former human trafficking victim who has dedicated her life to ending the sex slave trade around the world. “I would have loved for someone to help me, but there was nobody I could call or trust. These memories inspire me to do what I am doing today. You cannot forget, but you can forgive and love again.”

After being orphaned as a child during Cambodia’s Khmer Rouge rule, Mam was forced into prostitution by an abusive man she called “grandfather,” and she suffered for many years until a French aid worker helped her escape Cambodia in 1993. Mam says that at the time, she had no idea that she would devote herself to this cause, eventually co-founding the French nonprofit foundation AFESIP in 1996 and, in 2007, becoming the president and face of the Somaly Mam Foundation, which supports victim services, eradication efforts, and survivor empowerment from their New York Headquarters. Somaly and her team have rescued over 7,000 women and girls to date, and have touched the lives of tens of thousands more through peer education and outreach efforts.

“My life immediately changed the day I met a girl named Tom Dy who suffered from HIV/AIDS,” says Mam. “She reminded me of my past life in the brothels, and I immediately took her home with me because I wanted her to feel safe. There are more and more girls who need help to build new lives with dignity, but how? It takes five minutes to save them from brothels, but what are you going to do with them? This is the challenge.”

Mam not only participates in raids to help girls as young as 5 escape, but the foundation provides shelters and rehabilitation programs that help reintegrate the victims into the world. When Mam first started AFESIP, she asked trusted friends to help teach the girls how to sew; nowadays, there is education provided for the younger girls, and career training for the older ones, from hairdressing to computer skills and English-language classes.Eradicating human trafficking, now the second most profitable criminal enterprise, requires more global attention. At the Clinton Global Initiative meeting in 2012, President Obama named human trafficking as a national priority, and he became the first ever U.S. president to visit Cambodia. However, a 2013 UN report stated that people trafficked now come from at least 118 countries — 58 percent are for sexual exploitation and most are women, with the number of children increasing.

“When you see a woman sitting on the street, ask yourself who she is, what her story might be, where she might come from,” says Mam. “If she had a choice, maybe she would have chosen something different for her life. Please do not look down on her. Please do not abuse her further. There are a lot of problems in the world, and human trafficking is only part of the larger problem of the breakdown of values and connection between people.”

Mam not only provides this connection for her girls who call her “Mom,” but she encourages them to speak out for themselves through the foundation’s Voices of Change program, run by survivor Sina Vann. Some of the girls also host the “Somaly’s Family” anti-trafficking radio show in Cambodia to spread awareness. By empowering the victims, they are, in a sense, creating a powerful legion of mini Somaly Mams.

“I am so proud of the survivors in the program who stand up and advocate for those whose voices are not being heard,” says Mam. “There is a young generation of leaders who are engaged in this fight, and that gives me great hope for change.”

 

WEB EXCLUSIVES:

On the Voices for Change program

Voices for Change is designed to give survivors an opportunity to help themselves by helping others, to have their voices heard in the courts of law and public perception, and to have influence and impact on effectuating change. It is our vision that from those who have struggled through the pain of slavery will arise a new generation of leaders who stand for justice and free will. Some of our survivor-leaders host their own radio talk show, for the purpose of raising awareness in the community: in Cambodia, radio is still the best way to reach the masses.

In collaboration with UNIAP, Voices For Change conduct trainings in combating human trafficking to police, gendarmeries and local authorities who obligate to implement law legislation. In addition, they facilitate a student coalition as [a means of] groundbreaking local activism to combat human trafficking in the next generation.

On watching her girls grow up

My work means so much to me because I watch these children get their childhood back: especially when I see them going to school. Thousands of women have been reintegrated with sustainable livelihoods; some of them have gotten married and now have their own families. I cannot tell you what these stories mean to me. In addition to two girls who are now university students, there are three more girls who have just taken their high school diploma exam in the last couple days. After all they have been through in their lives, they are going to have a degree in the near future.

On Sina Vann, her right-hand woman and the Voices of Change co-director

Sina is a survivor, trafficked when she was 12 years old from Vietnam to Cambodia. She was drugged and locked up, and for many years was forced to take 20 clients a day — if she refused she was beaten. When she came to us, she hated all Cambodians because of what had been done to her. My staff said we could not take her — she was too much a fighter, too violent and unpredictable. She didn’t speak Khmer, I didn’t speak Vietnamese, but I took her hands in mine and looked her in the eye. I was careful and loving with her, and soon we understood one another. Sina stayed with us — she did not leave! — and as she recovered in the center, she learned Khmer and English and began to show leadership qualities. Now she works in the field every day doing outreach and advocacy, visiting the centers, inspiring the younger girls, and traveling to speaking engagements and conferences.

Who influences you?

Mainly my girls influence me. I see them recovering, going to school and having hope. Secondly, my team’s work: they work so hard to support victims and survivors. Thirdly, my team of Voices for Change survivors; they stand up and advocate for those whose voices are not being heard. And all the supporters around the world influence me too. Without them, none of our achievements could have happened.

 

BUY THE FALL 2013 ISSUE FEATURING OUR WOMEN OF INFLUENCE HERE.

 

Audrey’s Women of Influence | Alex Wagner, Host of MSNBC’s NOW with Alex Wagner

Article: WOMEN OF INFLUENCE
ISSUE: FALL 2013

Influence comes in many forms, from high-profile advocates who are shaping ideas on an international stage to local heroes who are breaking barriers and defying expectations in their own communities. In our inaugural series celebrating influential Asian American women, Audrey Magazine highlights eight newsmakers, activists, leaders and trailblazers who encourage us to pursue our dreams, explore the unknown, and stand up for those without a voice.

CLICK HERE FOR MORE ASIAN AMERICAN INFLUENTIAL WOMEN!

by Ada Tseng

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ALEX WAGNER
Host of MSNBC’s NOW with Alex Wagner

If two Fulbright scholars from Burma have a daughter, and this progressively minded woman, who worked at the historic nonprofit American Association of University Women (AAUW) to empower young girls, procreates with a top U.S. political strategist who worked on Ted Kennedy’s and Bill Clinton’s campaigns for president, you might just end up with someone like Alex Wagner, the host of MSNBC’s daily political opinion program NOW with Alex Wagner.

According to Wagner, her interest in journalism started “in utero,” and she worked on her school newspapers from elementary school all the way through college. Politics also runs in her bloodstream, and early memories of her father include him coming home every night from the Ted Kennedy campaign, immediately picking up the phone and asking for the poll numbers of the day. “When I was little, that’s how I learned to answer the phone,” says Wagner. “I’d stand on the chair in the kitchen to pick up the phone, and I’d say ‘Give me the numbers!’”

There was always a healthy amount of debate at the dinner table, a skill that would prove helpful many years later when she launched her own show. In addition to showcasing a young, diverse female voice, NOW with Alex Wagner values Wagner’s unconventional broadcast background: she worked on music and cultural magazines before becoming the cultural correspondent for the Center for American Progress; executive director of the advocacy organization Not on Our Watch, started by the likes of George Clooney, Brad Pitt and Matt Damon; White House correspondent for Politics Daily; and then a contributing analyst to MSNBC’s Countdown with Keith Olbermann and The Last Word with Lawrence O’Donnell.

NOW highlights issues close to Wagner’s heart, including income inequality, social mobility, immigration, surveillance and national security, but it’s important to Wagner to make news interesting and accessible to a wider audience — whether it’s having openly gay Speaker of the New York City Council Christine Quinn come on to talk about how even conservative New Yorkers are congratulating her on her marriage, or booking untraditional guests like Questlove from The Roots to talk about his reaction to the Zimmerman verdict. “We are all part of the national dialogue,” says Wagner. “It’s just that some voices are heard more than others.”

In 2012, Wagner was given the opportunity to sit down with Burma’s Nobel Peace Prize Laureate, Aung San Suu Kyi, as part of Amnesty International’s Rights Generation town hall event in Washington, D.C. Wagner’s family on her mother’s side are Burmese exiles who were granted safe passage to the U.S. when her grandmother was hired to head the East Asian books department at the Library of Congress. Decades later, Wagner was able to take her 96-year-old grandmother to meet the iconic pro-democracy leader.

“I don’t want to take away from the fact that it’s a difficult time for Burma,” says Wagner, “but just the fact that Aung San Suu Kyi was released [from 15 years of house arrest], then the fact that she was in the U.S., and then finally that my grandmother could be in the room, alive, to see her gain freedom and have her granddaughter interview her — I never imagined it in my wildest dreams.”

Wagner credits her grandmother, who used to take her to Burmese Democracy Movement protests as a kid, for gifting her a passion for activism and advocacy early. “She was always trying to get arrested,” says Wagner. “Nowadays, more people know about Burma, but this was a time when unspeakable atrocities were being committed against ethnic peoples of Burma, and nobody was paying any attention. My grandmother was out there waving her signs, and she got arrested when she was 84 or 85.” Wagner laughs. “I remember my mother was so indignant, but my grandmother was completely unapologetic.”

It’s this type of political spirit that Wagner wants to inspire in her viewers. “I hope the show is a reminder of the importance of politics, service and democracy, and that it will encourage more people to believe in the process and participate,” she says. “It’d be great if someone thought, ‘I want to make a difference in that issue, so I’m going to run for PTA to get involved in these questions of education, I’m going to march against this cause, or I’m going to get involved in a death penalty case.’ I hope we promote awareness and optimism about the power to change.”

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WEB EXCLUSIVES

On how her parents met

My mother is a Burmese exile. My grandfather was involved in the Burmese government before the military coup, things became very difficult for my family in the early 1960s, and they needed to get out of the country. Both my grandmother and grandfather had been Fulbright scholars who came to the US in 1950s, and my grandmother had done her master’s in Library Science at Catholic University in Washington DC, so they contacted their circles to see if they could get assistance getting out of Burma. The US Library of Congress actually needed someone to be the head of their East Asian Books Department, so they arranged all the papers and necessary visas for my grandmother and uncle and mother to get safe passage to the US. But it took 3 or 4 years for them to get out of the country, and in an absolutely stunning move, the Library of Congress kept the position open for years so that my grandmother and family would have a place that they’d be able to come in the US. My mom and uncle went to college in US, and my grandfather eventually joined them a few years later. My mom was very politically-minded in college and eventually ended up in DC working for Teamsters labor union, and my dad was person who hired her.

On starting NOW with Alex Wagner in 2011 in the midst of the presidential campaigns

[MSNBC president] Phil Griffin is kind of a maverick. He is just went for it. He said, “Let’s just do this thing at noon.” He was upfront. “You’ll probably suck for first six weeks and the first six months, and then you’ll figure it out.” [laughs] He had a very open and adventurous attitude toward it, and since he is the president of the network, if he has that attitude, it’s contagious. You think, let’s give it a shot!

On some levels, it’s harder to start a show during a presidential campaign, but in other ways, it’s easier, because it’s a pre-determined set of stories. Now, we’re in a different period, so the way we go about picking stories is like developing a different muscle group. In some ways, it’s scary and difficult, but if you’re curious about world, it’s a very fortuitous time to be in news.

On learning to share her political opinions on air

There’s a difference between having your point of view in a discussion with your producers and saying it on the air, and it’s taken some time and experience to figure it out. Sometimes I have said things that perhaps were not the most thought-out, but as I’ve gotten more comfortable with the medium, my producers and I have become more comfortable showcasing my opinion and writing scripts that are reflective of my point of view. But at same time, it’s important for us to allow room for debate and discussion that gives ample time to people who have different points of view. As much you may hear my opinion and understand where I’m coming from, I try not to make it so that I’m litigating my point of view — that my view is the only view. Preserving that is a really important part of the show.

Who influences you?

Nelson Mandela is a huge inspiration. I was just looking through biographies of him a couple months ago, when we thought he might pass way, and his life is so incredibly extraordinary. His perseverance and belief in a hope unseen. That’s the story of Mandela that I think everyone should carry with them at all times.

BUY THE FALL 2013 ISSUE FEATURING OUR WOMEN OF INFLUENCE HERE.

 

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How NOT To Deal With Racism: Bobby Jindal Talks ‘Hyphenated Americans’

Bobby Jindal, the current Governor of Louisiana and the Chairman of the Republican Governors Association, recently wrote a story on race for Politico, an American political journalism organization.

“Scan the news on any given day in America, and you will invariably find multiple stories about race, racism, ethnicity, and race relations,” Jindal writes,  “We can’t seem to get enough of this topic, and correspondingly, the media appetite for all things race-related is unquenchable.” I nodded my head to this. After all, when you write for  an Asian-American Women’s Magazine Publication, how can you not pay attention to race?

He then continued to point out that we ought to be judged by our character instead of the color of our skin. He notes that humans are shallow to think of others in terms of their skin color. Again, I found myself nodding in agreement. I can’t even count the number of times we’ve found ourselves angry at being associated with stereotypes simply because we’re Asian.

But then his opinion piece starts taking an abrupt turn. “Yet we still place far too much emphasis on our “separateness,” our heritage, ethnic background, skin color, etc.” Jindal writes, “We live in the age of hyphenated Americans: Asian-Americans, Italian-Americans, African-Americans, Mexican-Americans, Cuban-Americans, Indian-Americans, and Native Americans, to name just a few. Here’s an idea: How about just “Americans?” That has a nice ring to it, if you ask me. Placing undue emphasis on our “separateness” is a step backward.”

Wait, what?

He ends his piece by stating, “We are all created in the image of God — skinny, fat, tall, short, dark, light, whatever. Who cares? What does it matter? It’s time to get over it. It’s time for the end of race in America. Now that would be progress.”

This is the point where we shake our heads in a very frustrated no. Our culture is a very very big part of our identity and its most definitely something we can’t ignore. Yes, I consider myself an Asian-American, or according to Jindal a “hyphenated American”, because I choose not to lose any more of my already blurry cultural identity. I choose to be a “hyphenated American” because even if we wanted to go along with the unrealistic belief that all Americans are treated equally, how can we possibly ignore all the racial slurs and all the racial stereotyping? How is ignoring a problem the solution to solving it?

While I agree that in an ideal world, judgement would be based on character as oppose to the color of one’s skin, the idea of being completely “color-blind” is not the solution. Is it not better to keep our eyes open, and accept all the colors none-the-less? We can’t pretend to be colorblind because ultimately many people are indeed treated a certain way because of the color of their skin. It is only by looking at the issue full-on and realizing that inequality is present that we can hope to address the problem.

 

Audrey’s Women of Influence | Madhulika Sikka, Executive Editor for NPR News (with Web Exclusives!)

Article: WOMEN OF INFLUENCE
ISSUE: FALL 2013

Influence comes in many forms, from high-profile advocates who are shaping ideas on an international stage to local heroes who are breaking barriers and defying expectations in their own communities. In our inaugural series celebrating influential Asian American women, Audrey Magazine highlights eight newsmakers, activists, leaders and trailblazers who encourage us to pursue our dreams, explore the unknown, and stand up for those without a voice.

CLICK HERE FOR MORE ASIAN AMERICAN INFLUENTIAL WOMEN!

by Ada Tseng

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PHOTO COURTESY OF NPR/DOBY PHOTOGRAPHY.

MADHULIKA SIKKA
Executive Editor for NPR News

Every week, 26 million people tune in to National Public Radio programs and NPR Newscasts — more than the total circulation of the top national newspapers — and since January 2013, Madhulika Sikka, an Indian American woman born in England, has been responsible for setting the agenda for the entire news division.

On any given morning, her team could be placing equal importance on the Detroit bankruptcy, President Obama’s economic tour, the golden age of television, new methods to engage their audience in an honest discussion about race, and Prince George Alexander Louis of Cambridge, a.k.a. the royal baby.

“I’m a big believer in satisfying your wonk and your whimsy,” says Sikka, who previously executive produced NPR’s newsmagazine Morning Edition. “It might have something to do with my own personal news ADD, but I just think that we’re curious people, and we’re curious about lots of things. It is no accident that we have a program called All Things Considered.”

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Sikka is extremely pleased with NPR’s global health and science coverage that other broadcasters don’t cover as thoroughly — exploring tuberculosis outbreaks around the world and incidents of polio coming back — but she also wants to make sure her listeners are prepared for lighter water-cooler conversations around the office.

“We have two extraordinary female correspondents that covered Syria as well as anybody, and I’m proud of that coverage because it’s vital to our mission,” says Sikka. “But I’m also proud of the enormously great coverage we’ve done on cultural issues, like this summer’s series on the different kinds of media that kids are exposed to.”

But being multifaceted in content is not enough: it’s also very important to Sikka that NPR News continually evolves with technology and that there’s a fluid relationship between all platforms, whether it’s radio, digital tech, multimedia or social media. “None of us could have imagined the incredible range of ways we get to tell our stories now,” she says. “It’s really incredible the things we can do, the tools that we accrue, and how technology allows us to be in places that might have been completely out of reach before.”

Next year, Sikka will be publishing her first book, The Breast Cancer Alphabet, a collection of personal essays she wrote when she was diagnosed with breast cancer in 2010 and went through treatment in 2011. “There’s kind of a mythology around breast cancer that’s very pink and fluffy and positive,” she says. “And that is not the experience the whole time, so I felt like I gave myself permission to not feel that way. It ended up being an alphabet — starting at A for Anxiety, H for Hair, M for Mastectomy, ending at Z — and I hope it will be of use to other people going through it.”

Whether it’s providing “4 Tips To Help A Foodie Get Through Chemo,” penning a Daily Beast article about her late mother’s bravery (“As I wrapped her body in a red sari for her funeral, it dawned on me that her refusal to dress in Western clothing was more pioneering than anything I had ever done”), or slipping behind the scenes to study how best to engage her growing NPR audience (an intellectually curious group that hungers for, above all, interesting stories), Sikka wants us to open up our minds in terms of how we view the world.

“I think our primary goal is to provide information so they can be informed about the decisions and choices they make,” says Sikka. “If [our listeners] learn one thing that they didn’t know before, then we’re doing pretty well. An informed democracy is a more healthy democracy.”

 

WEB EXCLUSIVES:

On why she’s wanted to be a journalist since she was 16

I wanted to be able to shed light on things that were happening around the country and around the globe. I grew up in England watching the BBC and being impressed at their ability to be everywhere, to open a window to places and issues that I might not have otherwise thought about. And I thought that was a wonderful thing to do.

On the difference between working on Morning Edition vs. being Executive Editor of NPR News

When you produce a daily news show, it’s very focused. You’re responsible for filling two hours every day without a break, so producing Morning Edition helped me hone the skill of working fast and being decisive — which is what a deadline does to you.

[Being Executive Editor of] NPR News is different. I’ve been a news person my whole life — that is what runs through my blood system, and that’s hard to eliminate — but now, to have a hand in discussing broader coverage, and even coverage online, is a really exciting new prospect for me. How can we move, how can we react, what’s appropriate for each particular outlet? For example, when the President came out unannounced [to speak about the Zimmerman verdict and reactions in the African American community], I realized it was a pretty extraordinary thing to hear a President speak that way, so we were able to get together very quickly and talk about what we’d do in next hour, the next morning, the morning after that, what we’d do online, etc. And that’s really what you come in for.

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On her first book, The Breast Cancer Alphabet

I never thought I’d write a book, and I certainly didn’t think this was the book I’d write if I was going to write a book. When I was getting treatment, I was just writing a little bit for myself, because I had things I needed to get out. A lot of people encouraged me to write and then talking to people helped me hone a concept. My agents and publishers are excited about it, because they think it’s a different kind of cancer book.

Who influences you?

I wrote about my mother and her death in an article that was published in the Daily Beast.  It took me a while to come to the realization that she was a very brave woman. She got married when she was not quite 18, left her family behind and moved to England in 1960s.

I think that there’s a different measure for our modern interpretation of a brave woman, but it’s kind of extraordinary to think about that generation of women in the Indian diaspora and the idea that you’d have three kids with a stranger in an arranged marriage and raise them by yourself with no family around in early 1960’s England, which wasn’t the most hospitable place in the world for people of color, all without the benefits that we have today. I can’t go a week without calling my family in England, but Skype wasn’t even around when she was alive.

So are there amazing pioneering women in journalism? Yes, of course, and also in other spheres of life, but when I actually took the time to think about what my mom did, it’s pretty remarkable.

 

BUY THE FALL 2013 ISSUE FEATURING OUR WOMEN OF INFLUENCE HERE.

 

Audrey Magazine’s Women of Influence | Keli Lee, Executive VP of Casting at ABC Entertainment (with Web Exclusives!)

Article: WOMEN OF INFLUENCE
ISSUE: FALL 2013

Influence comes in many forms, from high-profile advocates who are shaping ideas on an international stage to local heroes who are breaking barriers and defying expectations in their own communities. In our inaugural series celebrating influential Asian American women, Audrey Magazine highlights eight newsmakers, activists, leaders and trailblazers who encourage us to pursue our dreams, explore the unknown, and stand up for those without a voice.

CLICK HERE FOR MORE ASIAN AMERICAN INFLUENTIAL WOMEN!

by Ada Tseng

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Photo by Narith Vann Ta.

KELI LEE
Executive VP of Casting at ABC Entertainment

For everyone who’s grateful for the recent rise of minority faces on American television, it’s important to note that behind every Sandra Oh in Grey’s Anatomy, every Daniel Dae Kim, Yunjin Kim, Jorge Garcia and Naveen Andrews in Lost, is a casting director responsible for pairing these actors with the unforgettable roles that will go down in television history.

Keli Lee, an executive who has been casting TV shows at ABC for more than 20 years, was on her way to law school when she landed a fortuitous college internship that introduced her to the entertainment casting industry. In her first week working for Phyllis Huffman, who often did casting for Clint Eastwood’s films, Lee operated the video camera that captured the auditions for the Academy Award-winning 1992 film Unforgiven. From there, she eventually worked her way up the ladder, and as Executive VP of Casting at ABC, Lee now has a corner office with a view and spends her days looking for the next new star.

Born in South Korea, Lee moved to the States as a toddler, and whenever her father stayed in Korea for work, her adventurous, road-trip-loving mother would move her young kids to a new state every six or seven months, depending on her whims. “Up until I was 13, I never started or finished the same school, so I met thousands of people from around the country,” says Lee. “It forced me to socialize and understand people, and ultimately I think that’s how I got to be good at what I do. I’m searching for people and learning about their emotional core.”

For Lee, more important than finding a good-looking specimen or skilled thespian is determining whether the actor is authentic. “I think within the first 10 seconds of meeting someone, you can get a sense of a person,” says Lee. “You know whether you want to continue to watch them.”

Twelve years ago, Lee started the ABC Casting Department’s Talent Showcase with the goal of providing more opportunities for minority actors who either don’t have representation or aren’t even aware of the opportunities available. Since its inception, 14,000 people have auditioned, and 432 actors have participated in 30 showcases, with winners earning mentorships. Beneficiaries of this program include Liza Lapira (Crazy Stupid Love,Don’t Trust the B— in Apartment 23), Carrie Ann Inaba (Dancing with the Stars), Aaron Yoo (Disturbia, 21), Archie Kao (CSI), Randall Park (Larry Crowne, The Five-Year Engagement), and Janina Gavankar (True Blood, The L Word).

In the upcoming fall season on ABC, TV audiences can look out for Ming-Na Wen and Chloe Wang Bennet in Marvel’s Agents of S.H.I.E.L.D., Liza Lapira in Super Fun Night, Ginger Gonzaga in Mixology, Summer Bishil in Lucky 7, and Albert Tsai in Trophy Wife.

“My goal is to change the face of television,” says Lee. “When I came to the U.S. at age 2, there wasn’t much diversity on television, and now, it’s such a different time.”

GET THE FALL ISSUE FEATURING OUR WOMEN OF INFLUENCE FEATURE NOW!

 

WEB EXCLUSIVES:

On how she ended up in the casting industry

Like most Korean American families, entertainment [as a career] was not an option. It was the stereotype: are you going to be a doctor or a lawyer? So, I had planned to go to law school, I was studying philosophy at NYU, and I was a hostess at Caroline’s Comedy Club, so it was the comedians who introduced me to the world of entertainment. I actually fell into this business. I got an internship in casting and worked my way up, while I went to school full time at NYU. First, I worked at Warner Brothers, and then I went to ABC, where I’ve been for 21 years.

On starting ABC Casting Department’s Talent Showcase to find diverse talent

12 years ago, we were talking about diversity and thinking about how we can provide more opportunities for diverse actors, so I started this showcase program to give exposure and training to actors who either don’t have the representation or aren’t even aware of the opportunities that exist. After my team auditions the actors, we select the top 15-20, and we put them through this training program. Usually you have material, and you find people to play the characters, but this is the reverse: we find the right actors and then try to find the right material for them. Some of the actors who’ve gone through this program that we’re excited about are: Liza Lapira, who was on Don’t Trust The B—- in Apt 23, Jorge Garcia from Lost, Dania Ramirez from Devious Maids, and Jesse Williams on Grey’s Anatomy.

On their first digital talent competition this summer

This is new. We’re the first network to launch a digital talent competition. We had over 14,000 submissions, we’re having a public vote, and the winner will be announced August 30. The winner gets $10,000 and a talent option hold with ABC. Just based on the submissions, I’m excited to be able to find new faces. These are actors from around the country: there’s coming from everywhere from Florida to Alabama, and it’s really great to hear some of their stories.

On the Latino and Asian Outreach Initiatives

This is international. We started this program last year. For the Latino Outreach, we targeted Mexico, Latin America and Spain, and I’m excited to say that one of actors we found in first year of the Latino Outreach Initiative, Adan Canto, was cast as series regular in Mixology. The Asian Outreach Initiative started in India, and we just expanded to the Philippines this year.

Asian faces to look out for in the 2013-14 ABC season

Aubrey Anderson Emmons in Modern Family
Ming-Na Wen and Chloe Wang Bennet in Marvel’s Agents of S.H.I.E.L.D.
Ginger Gonzaga in Mixology
Liza Lapira in Super Fun Night
Sandra Oh in her last season of Grey’s Anatomy
Yunjin Kim in Mistresses
Summer Bishil in Lucky 7
Albert Tsai in Trophy Wife
Griffin Gluck in Back in the Game
Naveen Andrews in Once Upon a Time in Wonderland
Tim Jo in The Neighbors

Who influences you?

I have an amazing circle of really strong, smart, successful female friends, and we feed off that positive energy and help each other out. That’s part of what I do in my profession: I’m helping people realize their dreams, and that’s what we do for each other. I often have these conversations with my girlfriends, where I wish I had women as role models or mentors, so now that we’re in our positions, we think, how can we help empower other women and be role models for them? All these female pioneers paved the way for us, so how can we pave the way for other women?

 

BUY THE FALL 2013 ISSUE FEATURING OUR WOMEN OF INFLUENCE HERE.

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Ziyi Zhang’s most memorable movie moments

With the latest release of Ziyi Zhang’s newest movie, The Grandmaster, let’s take a trip down memory lane with some of her best movie moments, gif style!

Memoirs of a Geisha

That moment when she not only stopped a man in his tracks with a single look, but probably every single viewer too.

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Her intense performance of the snow dance. tumblr_mrqapxAtLE1r2d2vgo1_500

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House of Flying Daggers

When she captivated the audience with her graceful and beautiful dancing.

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Crouching Tiger, Hidden Dragon. 

Her fight scene vs. Michelle Yeoh which hands down, is one of the best.tumblr_mlif5cs7hU1riop3bo1_r1_500

When she took out three men effortlessly using just her feet.tumblr_mq2lapqQ3A1sagi1uo6_400

When she defended herself with just one arm while holding tea in the other like it was no big deal.

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Rush Hour 2

When she managed to sport a great up do in less than three seconds and look intimidating at the same time.tumblr_mrqlwqqJi71sok8elo1_500

When she unexpectedly came out of no where with her high kick.  tumblr_mj3o7p60bc1qbtzbno1_r3_500

And last but not least, this epic moment in The Grandmaster where she fights to regain her family’s honor.

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The Grandmaster has already premiered in Los Angeles and New York, and will be released nationwide on August 30. Don’t miss out on this action packed movie! There definitely will be several gif worthy scenes!

 

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Proof That Chang Chen Looks Good Doing Pretty Much Anything

One of the stars of The Grandmaster, Taiwanese actor Chang Chen is definitely a movie star, in the best sense of the phrase. He’s been casted in a number of films, including Wong Kar-wai’s Happy Together, Three Times (for which he was nominated for the prestigious Palme d’Or at the Cannes Film Festival), and the Ang Lee visual stunner, Crouching Tiger, Hidden Dragon.

But besides being an incredible actor, we’ve come to notice that Chang Chen is one of those rare people that seems to be able look incredibly handsome pretty much all the time, during both the most exciting and banal of tasks.

What sorts of things, might you ask? Well, things like…

 

…taking a picture.
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…drinking water
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…riding a bike.
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…throwing a sweater over his shoulder.ChangC_4

…enjoying a cup of espresso.
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…sitting down in a room.
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…holding his face in his hands.
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…holding an umbrella.
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…and most impressively, getting ready to kick some butt in The Grandmaster.
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What’s your favorite Chang Chen look?

Osaka Mayor Remains Defiant Over Comfort Women Remarks

by Steve Han

Osaka Mayor Toru Hashimoto asked that San Francisco’s Board of Supervisors retract its condemnation of his remarks justifying Japan’s use of sex slaves during World War II.

In a letter sent to Osaka’s sister-city, the Japanese right-wing politician said his words were “misunderstood” by San Francisco’s equivalent to a city council as he never “legitimatized or defended” Japan’s institution of “comfort women,” a term used to describe sex slaves.

“My statements … have always been consistent with my concern for the protection and enhancement of women’s dignity and human rights,” he wrote.

Hashimoto came under scrutiny across the world in May, after he said that comfort women were “necessary” for Japanese soldiers during the war.

San Francisco criticized Hashimoto’s remarks on the city’s website in June, drafting a resolution that stated that the board “strongly condemns” the Mayor’s “attitude and statements” for “justifying the state-sponsored ‘comfort women’ system which forced hundreds of thousands of Asian women into sexual servitude for the Japanese military.”

The city board’s condemnation led to Hashimoto canceling his planned trip to San Francisco and New York in June.