Hannibal is premiering on NBC on April – learn a little bit about the actress who plays Beverly Katz – Hettienne Park!
DEPT Pop-arazzi
AUTHOR Olivia Ouyang
ISSUE FALL 2012
A peek into the brilliance of Harold Koda, Curator in Charge of The Costume Institute at The Metropolitan Museum of Art, who has curated exhibits Schiaparelli and Prada: Impossible Conversations and Poiret: King of Fashion.
Harold Koda
AUDREY MAGAZINE: You have curated numerous critically acclaimed fashion exhibits throughout your career. Is there one show that stands out in particular way to you?
DEPT Pop-arazzi
Author Han Cho
Issue Fall 2012
A Real Life Modern Family
Contributor Han Cho gets a peek into the everyday life of Modern Family’s youngest member (and her mom).
“Sorry, the house is such a mess!” exclaims Ko- rean American comedian and actress Amy Anderson, gesturing to the toys that litter the room. She scoops up her daughter Aubrey Anderson-Emmons and their chihuahua Bob Barker, only to have them both wriggle out of her arms and scramble upstairs. She laughs, “This is my life. Little person, little dog.”
DEPT Pop-arazzi
STORY Olivia Ouyang
ISSUE FALL 2012
Go On, NBC
Suzy Nakamura plays teacher’s pet to Matthew Perry’s class clown in the highly anticipated return of the Friends’ star to NBC.
Suzy Nakamura
Matthew Perry (Friends) returns to NBC as Ryan King, a sports newscaster who loses his wife in a texting and driving accident. Ryan thinks he’s ready to go back to work, but his boss, played by John Cho, is insisting that he go to therapy. Ryan reluctantly complies, wreaking havoc at the group meetings led by a woman whose only training is her previous work with a Weight Watchers outreach program. Among the group therapy members is annoying teacher’s pet Yolanda, played by Suzy Nakamara.
AUDREY
ISSUE: Spring 2013
DEPT: COVER
Yung At Heart
Elodie Yung may kick some serious ass (with double katana swords!) as Jinx in the upcoming film G.I. Joe: Retaliation, but we get to the heart of what really matters to the French Cambodian actress.
Dept: The Good Life
Author: Elyse Glickman
Photos: Adrienne Gunde
Wildflower Linen’s Youngsong Martin strives to make the world more beautiful, one gala at a time.
Though Youngsong Martin made a name for herself in fashion design in her career’s “first phase,” it was only a matter of time before her passion for designing unforgettable environments was reignited. This unique talent originated during her childhood in Seoul, where she constantly sought new ways to brighten the sur- roundings of her family’s small home. It resurfaced in 2001 when, while helping her niece make a bold wedding day statement, she found the fabrics available to her “industrial and bland.”
The attention to detail and refinement doesn’t end there. Guestrooms are sprawling enough to feel like a private Tuscan villa. The washroom is more spacious than most studio apart- ments I’ve lived in as a college student, and its gold fittings and crystal lamps made me feel like I was in Pretty Woman. And what does every Pretty Woman do? Take a bubble bath, of course! I have never felt so fancy taking a bath; the separate soaking tub is big enough to fit two comfortably (or in my case, me and my sizeable food-baby from the night’s eating (mis) adventures). By nightfall, I was nestled in exquisite European linens atop a bed that embraced the body just so. Oh, their bed ruined me for life; theirs is the beautiful carriage to my pump- kin back at home.
It led Martin to found Wildflower Linens, a company that revolutionized the field of special event décor and linens. Her stun- ning tabletop concepts and couture-hewn chair covers have since wowed attendees of the Vanity Fair and Oscars Governor’s Ball after-parties, a DreamWorks premiere at the Venice Film Festi- val, as well as numerous charity galas, weddings and Presidential Library events. “While much of the interior design field focuses on permanent installation, there is a certain artistic freedom that comes with designing interiors for a specific event,” she says. “It is the story of Cinderella, where you have the potential to make any- thing happen. Another advantage is that when I design something statement-making for an event, the chair I am creating the design for will not talk back to me.”
After all that rest and relaxation, I could have opted for an array of activities: a golf outing on the 380-acre, Tom Fazio-designed golf course; dinner at Addison, its AAA 5-Diamond restaurant, or even a complimentary limousine ride within 14 miles of the estate. (I contem- plated utilizing this service to dine at a nearby taco stop. Hey, whether inhaling cabeza tacos or nibbling on caviar, a true lady always travels in style.) Instead, I opted for a beautification day at The Spa, its award-winning, 21,000-square-foot, full-service day spa.
Youngsong Martin in her studio.
“When planning a look for a one-night event, I focus on what’s on the tabletop rather than the surroundings,” she says. Whether you have an apartment or a mansion, “figure out what things you want your guests to pay attention to at your event. Next, transform those decorative ele- ments into a sensory experience. Guests will be drawn in from the moment they see the flicker- ing of the candles, and colors of the tabletop. Once you have made a statement, guests will focus on that rather than the rest of the house.”
In the coming months, however, Martin plans to expand to a “third phase” of home décor, bringing the glamour of special events to the everyday home. “When planning a look for a one-night event, I focus on what’s on the tabletop rather than the surroundings,” she says. Whether you have an apartment or a mansion, “figure out what things you want your guests to pay attention to at your event. Next, transform those decorative ele- ments into a sensory experience. Guests will be drawn in from the moment they see the flicker- ing of the candles, and colors of the tabletop. Once you have made a statement, guests will focus on that rather than the rest of the house.”
Color is one way Martin likes to make a statement. “We are moving away from the natural ‘eco’ look, like burlap and natural fibers, and are moving back to bright colors like orange and fuchsia, but in a completely different way from a few years earlier when Indian designs were big,” she says. “Today’s patterns integrate black or white ‘non-colors’ with brights.”
From galas to the home to the community, Martin is all about beautifying her environment. Recently honored for her multi-faceted charity work on National Philanthropy Day in Orange County, Calif., Martin believes “that any solid business model should include social responsi- bility. We need to pay attention to other people regardless of how much our business makes. We need to be a part of the community as well as exist within it.”
Dept: Pop-arazzi
Author: Ada Tseng
Photographer: Diana King
Hair: Sunny Campos
Makeup: Shelly Samia
Although Twilight fans know Booboo Stewart as an actor who plays the kindhearted shapeshifter Seth Clearwater (he recently starred in The Twilight Saga: Breaking Dawn - Part 2), longer-time supporters have been following Stewart, the singer/dancer/guitarist/drummer/martial artist, on YouTube as early as 2007. There are videos of young Booboo performing as a member of the Disney pop group T-Squad and rocking out in his band Echoes of Angels. Booboo — along with his sisters Maegan, Fivel, and Sage — grew up on movie sets, since their father was a stunt coordinator in Hollywood. Booboo did his first movie stunt around age 10, and when Fivel saw her big brother doing it, she wanted in on the action. Their martial arts training taught them to be comfortable onstage, and they’ve both been singing and dancing in front of huge crowds since they were pre-teens.
“I think the first concert we did together was in Chicago, opening for Demi Lovato,” says Fivel. “We did it last minute, and our dad ended up driving 36 hours straight, so we could perform there.”
Now 18 and 16, Booboo and Fivel have joined forces with friends Davin Baltazar and Ryan Cook to create their new band 5L.
“5L is just a cool way to spell Fivel’s name,” explains Booboo. “It’s her band really, so it’s only appropriate.”
Fivel dances and sings lead vocals, while Booboo plays the guitar and sings supporting vocals. This arrangement takes advantage of their strengths: Booboo started playing the guitar when he was about 10 years old after receiving an electric guitar for Christmas, and Fivel has wanted to be a singer for as long as
she can remember.
Next up, they play twins in the film Hansel and Gretel — fitting, as people always thought they were twins growing up. Their music will also be featured in the film’s closing credits.
Dept: Pop-arazzi
Author: Kanara Ty
Title: Where My (AA) Girls At?
Don’t like what HBO’s Girls is saying about this generation? Then tell your own story.
Mindy Kaling.
Before HBO’s Girls was set to premiere this past spring, the comedy about 20something struggling post-grads in New York City sparked a debate about race and representation in Hollywood. My initial thoughts after I finished the first episode of Girls? Sure, it was hard for me to relate to anything that was going on on the show (I’m not white, I don’t come from a privileged, wealthy background, nor do I live in New York City), but I was immensely surprised at how
entertaining I found the show to be — namely the awkwardness/quirkiness of the female lead characters. Lena Dunham, who impressively writes, directs and stars in the show, has already been hailed as the next Tina Fey.
Dunham has yet to be dubbed the “voice of her generation” (as her character in Girls states) — and rightfully so. Having such a title bears the social responsibility of, well, speaking for a diverse generation of people who come from different backgrounds and experiences. Fact of the matter is, Dunham is talented — her writing is witty, intelligent
and full of charisma. Girls speaks of her own personal experiences; as that saying goes, write what you know. And she does a damn good job of it. Instead of pointing fingers at Dunham, we should be asking the programming departments of major television networks about the diversity in their programming — I mean, they are responsible for
what gets on the air.
Shortly after Girls aired, the extended trailer for FOX’s The Mindy Project premiered and, of course, was met with much applause. It’s been a while since an Asian American woman has taken the reigns of a comedy on a major televisionnetwork and, well, it looks like Mindy Kaling has hit it on the head. However, Kaling still sits alone, as we have yet to really see excellent programming starring Asian American talent that’s also relatable. (Sorry Maggie Q — I wish I could relate to your kick-ass assassin character, but it’s just not happening.) One could argue that Asian American programming now has a place on YouTube. You have your WongFu boys, KevJumbas and Ryan Higas. In a significant move, there’s now the YouTube Original Channels, which features programming in entertainment, beauty, sports and technology. This includes Michelle Phan’s FAWN (For All Women Network) and the Asian American pop culture blog’s YOMYOMF (You Offend Me, You Offend My Family). Speaking of the YOMYOMF Channel, I should make note of BFFs. BFFs is a comedy webseries that features Asian American actresses in the leading roles. While the series was met with lukewarm reactions, I have to say it’s a start, which is better than nothing at all.
If there’s anything I can truly criticize, it’s that there’s not enough self-expression among this generation. When the reality show K-Town (on YouTube’s Loud Channel) surfaced, it was met with so much negativity from Asian Americans whwere afraid of how they were going to be represented. But in all honesty, have our purported “positive” stereotypes (read: the model minority) played in our favor in American society? Going along with this idea of social responsibility, the key thing to note is that there are multiple voices of this generation, but many of them go unspoken. Dunham, Kaling or YouTube celebrities should not be the only ones speaking for us. Whether their work makes us happy, angry, sad or stir any sort of emotion, rather than sit back and mouth off on our soap boxes about what we think others are doing, think about what we can do right. We’re all quick to hate on each other; instead, let’s let theseconversations inspire one another.
We’ve all heard of the stories of undocumented immigrants who were brought to the US as babies — culturally American but legally not. But what happens if you’ve been in the US legally for decades, but still can’t obtain a green card to stay in your home country because of holes in the US immigration system that the government has no plans to fix?
ISSUE: Fall 2012
DEPT: Features
STORY: Ada Tseng
Photo by Maura C. Lanahan that accompanied Ana La O’s LA Citybeat article.
In 2006, Ana La O’ — at the time an undergraduate at UCLA — wrote a cover story for the alternative weekly newspaper LA Citybeat titled “The Hidden Classes,” about the first wave of undocumented immigrants that could afford to attend California public colleges after 2001’s AB 540 law allowed them to pay in-state tuition rates. The students she interviewed had been brought over to the United States as kids and educated in the American school system, yet they were unable to work legally and in danger of being deported to countries they hadn’t lived in for 15 to 20 years.
“It was the first time that I had spoken to people who had the same kind of psychology that I did,” says La O’, who moved to the U.S. from the Philippines when she was 11 months old. “I totally understood everything about being culturally American, but not having the same rights, feeling in limbo, and working toward this degree without knowing what I could actually do with it when I graduated.”
Except that La O’ was not an undocumented (what some call “illegal”) immigrant. By 2006, La O’ had been living in the United States legally for 21 years. Yet, for the next five years, she would continue to struggle to get a green card, until she was so fed up with the holes in the United States immigration system that she voluntarily self-deported in 2011, leaving her family and friends to move to the Philippines. Being plopped into a country she hadn’t lived in since she was a baby seemed like a better option than the hoops she would have to jump through just to be considered for – let alone acquire – a green card, after 26 years of living in this country.
ISSUE: Winter 2012-13
DEPT: Pop-arazzi
STORY: Malissa Tem
Spray paint cans and unfinished canvases line the floor of Allison Torneros’ shared art studio. A self-described pop surrealist artist, Torneros uses acrylic, spray paint and other media to bring her vivid imagination to life on canvas. She begins the process by aimlessly splattering paint onto the canvas until a form begins to appear. At times, it is her own face that takes center stage in her paintings.
“When you step back and look at it together, it creates its own story,” says Torneros of her work. Her paintings often reflect her mood or her personal struggles growing up as a Filipina American in the San Francisco Bay Area. While attending Catholic high school, Torneros says she was characterized as the promiscuous bad girl, and later, the innocent schoolgirl, something that Torneros believes arose out of pop culture rather than actual traits that she possessed at that time. One of her showcases features paintings of the two major stereotypes often cast on Asian American women — the Dragon Lady and the Lotus Blossom.
These days, the 27-year-old is often better known by her professional alias, Hueman. “‘I am not a robot, I am a human’ — it was a mantra I said to myself to snap out of a bad funk,” says Torneros. She has ventured out onto a bigger canvas — wall murals. It seems a natural progression for someone whose fine-art-meets-street-art aesthetic grew out of the world of hip-hop, something her late brother introduced her to. “I grew up admiring murals, but the big thing that held me back was that I was a woman,” says Torneros.
“[The mural art scene] seemed so male-dominated and ego driven, and I didn’t want to deal with it.”
But when she moved to L.A. and her work started getting bigger (both literally and figuratively), Torneros realized she had found her calling.
“When I started doing more murals, I was meeting people and I began using my whole body to do my art,” says Torneros. “I felt more human.”
