Audrey contributor Tamae Ishii shot some very stylish Asian Americans at New York Fashion Week last month. Here, some of our favorites and why.
This is “how to wear your cocktail dress for day” 101:
Why this works: Camel-toned accessories (a staple in daytime chic), a faded denim jacket and rugged lace-up booties tone down what could have been an evening-only piece in her closet. Try something similar with your favorite cocktail dress!
Next, we have a lesson in mixing it up at night:
Why this works: The plush brown wrap takes an otherwise typical all-black evening ensemble into the current season. (That hardware-embellished bag doesn’t hurt either.) Don’t be afraid to mix it up — it’ll keep you warm at night, too.
When in doubt, go grey:
Why this works: An instant update to all your outfits, leather is especially a standout in an atypical hue like grey. Pair it with the season’s pencil skirt, and you’re pretty much set.
Another shot we really liked:
Shiny slippers are so cool, but oddly enough, I think the best part of this look is that bright red chair contrasting with his geek chic look.
And of course, nothing makes a statement better than a broad smile. Work it like Joe Zee, creative director of Elle magazine …
… or Kelly Choi, host of Bravo’s Top Chef Masters.
– Tamae Ishii
What does “winter” or “the holidays” mean to you? Maybe snow angels? Maybe partying it up on New Year’s? Maybe all the resolutions you failed to keep in 2010?
Regardless, we want to see it! We want to see what “winter” (specifically, December through February) means to you, whether it’s the holidays, New Year’s, even Valentine’s Day! You just might get your photo into the next issue of Audrey Magazine!
Submit your photos that in some way reflect the Asian American experience as well as the theme of “winter.” You don’t have to be a pro, so submit your photo by October 15, 2010. To submit, please see instructions below.
We’re looking forward to seeing your work!

Submissions
Images should be in digital jpeg format, at least 300 dpi resolution and 2400 pixels on the long end. Along with each image, please include your name, location and an explanation of how your image relates to the theme. Only submit photos that you’ve taken yourself. Please do not digitally alter your photos, besides cropping and applying basic tonal adjustments. Send your photos to EDITOR@audreymagazine.com, maximum three entries per person.
Legal & Releases
By submitting, you are granting Audrey Magazine permission to publish your submitted photos online and/or in print with your photo credit. You must be 18 or older to submit; if you’re under 18, a parent or legal guardian can submit on your behalf. We cannot accept photos of “recognizable” people in your photograph without a personal release signed by the person, authorizing our publication of the photo.
Time spent with Aarti really is a party. The season six champion of Food Network’s number one series, The Next Food Network Star is full of life; from her cascading waterfall of dark curls to her lyrical British accent. Aarti Sequeira was born in Bombay, India and grew up in her mother’s kitchen. Though her mom’s flavorful Indian spices had always surrounded her childhood, Aarti didn’t try her hand at cooking until she got married and moved to LA. Instead, the TV personality worked as a journalist for many years, producing for CNN in Chicago and New York. After taking some classes at a local cooking school, Aarti knew that she wanted to make food her career. But how to go about it? Aarti decided to combine her love of journalism and food together- creating an online cooking variety show and blog called Aarti Paarti. The show caught Food Network’s attention and the rest is history. Or just starting. After winning the reality show, Aarti’s show Aarti Party premiered on August 22 for six episodes that ran through the end of Sept. to great audience feedback. 13 more episodes for a new season are currently in production. From conjuring up the perfect summer picnic to warming up a cold rainy day, Aarti brushes up classic American dishes with a touch of her Indian heritage. Audrey caught up with the next food network star in Culver City, CA, fresh from shooting her first season.
Audrey: So Aarti, you started as a journalist, what made you switch career paths?
I started working at CNN a week after I graduated from university. I loved working there. There’s so much integrity and intelligence there but when I moved to LA, I really had to hustle for freelance jobs. I realized that I’m not a lazy person but I don’t really have that drive anymore for journalism in that form. A couple of years after I moved here, I worked with a Peabody award winning director on a documentary about Darfur that ended up being bought by HBO. That made me feel like, “okay, this is what I was supposed to be doing.” The same journalistic ideals and we’re going deep, deep, deep into it figuring out what is going on. But right around that time, the economy was starting to tank and no one wanted to make docs about Africa anymore. So that was when I started cooking it became the highlight of my day. It really helped me realized that no matter what was happening in my life, when I was in the kitchen, that was my safe place, that was my quiet place. That’s where I could control things.
Audrey: How did your online cooking show and blog catch the attention of Food Network?
Food Network started doing their casting for The Next Food Network Star and people popped up randomly telling me to audition for this show. I was really hesitant. I didn’t think I had the culinary chops to compete with these people and the challenges that were requiring you to cook in 15 minutes or something. But my husband said to me, “listen, we’re going to make a video, we’re going to send it in and we’re going to see what happens. You have nothing to lose. And so we did and that was it.
Audrey: It seems like your husband is very supportive of you.
My husband has always been my champion. We’ve been together 14 years and he’s always seen so much in me that I don’t see in myself. When I happened upon this cooking show idea, he hopped on it. He’s an actor-director and he understands forging your own way and trying to do what you want to do until someone comes knocking on your door and says, “I like what you’re doing and I want to pay you to do it.”
Audrey: As artists, did you guys ever struggle financially? How did that reflect in your cooking?
Brendan and I have definitely struggled. A year ago, I wasn’t even sure if we could make rent so we’ve really had to make a lot of sacrifices. But it’s been entirely worth it. So that kind of thinking is always going to pop up in my show anyway. Even in the competition, they would give us a budget and I would always spend the least money out of everyone (laughs). Even though I was making these things that were- for lack of a better word-exotic, I always came up really under budget. That’s just the way I cook. With Indian food, at least the kind that I grew up eating, there are so many vegetables, lentils, beans and things in the cuisine- it’s really a budget friendly way of cooking.
Audrey: Speaking of Indian spices. How does your Indian heritage influence your cooking?
I think what I’m trying to do is open the door for Indian cuisine for America. There are people out there who have been championing Indian cuisine for years. What I’m trying to do is take those traditional Indian flavors and wrap them around some classic American dishes so they’re not that intimidating. Here is a whole new way to enjoy Indian spices without overextending yourself. I try to use the spices that you can find at the regular supermarket- tamarack, cumin, and oleander-all those things. I’ve been kind of astonished actually by how many people have run out, bought the spices, come home, made what I made and would upload pictures. I’ve just been floored by that.
Audrey: If you get a season 2, where do you think you will take your food to?
I’m always on my Facebook page. So I post on there, “what do you guys want to learn how to make?” I got 300 comments within a couple of hours and people are asking how to make these really traditional Indian dishes. They weren’t asking for fusion, they were asking me for the authentic stuff. That was so encouraging to me, I was like, okay, after this season, god willing if I get season 2, there’s an appetite out there. People are willing to order the ingredients online. Or they’re willing to hunt them down in Indian stores.
Audrey: Being a cooking show host is partially about the food but partially about the host’s on-camera personality. Have you always been this telegenic?
My husband is an actor and he would take these improv classes. I would go to his shows every week and I was floored that there were so many things about improv that was affecting his personality in a really helpful way. The great thing about improv is that there are so many things you can completely carry over into real life. Focusing on other people more than yourself or just making a decision and trusting your gut. So I took these classes and it really gave me a sense of confidence. It helped me realize I really do have good instincts and I just have to trust them. That helped in being willing to improvise in the kitchen and trusting my palate. It really helped with my personality because it pulled me out of my shell and it made me feel like I was worthy of being heard, I guess.
Judging from the positive reviews the show has been receiving, it would seem like the rest of America feels like she’s worthy of being heard as well.
Check out Aarti Party Sundays at 12PM ET/PT on the Food Network. You can also read more about Aarti at www.aartipaarti.com
The Asian American Music Festival 2010 (AAMF) is an event not to be missed this fall. You’ll have October 15, 16 and 17 to choose from, so there’s no excuse for missing out on the international music festival featuring concerts, dance and educational programming. The festival will be held at Los Angeles’ Japanese National Museum.
The AAMF is the world’s leading festival celebrating Asian American music, from jazz, pop, world music, hip-hop and electronica. AAMF celebrates the artistic and creative achievements of Asian American, Asian, and Asian Pacific Islander artists in all genres of music. This year, headliners include ukulele legend Jake Shimabukuro, groundbreaking hip-hop artist Shing02 (“Shing-Oh-2″), and international songstress Charmaine Clamor.
These superstars will be joined by an eclectic lineup of Asian American virtuosos including Jon Jang, Dana Leong, Kero One (we featured his amazing video “On Bended Knee”), Gary Fukushima, Abe Lagrimas, Jr., Noel Okimoto, Emi Meyer, Shanghai Restoration Project, and Sachal Vasandani.
“As a promoter, the only thing better than having a sold-out festival is having a sold-out festival filled from start to finish with music I love. And I really love this festival’s lineup!” says festival founder and director Paul Im. “I’m extremely proud of our programming this year. We’re presenting the most current, culturally relevant, and artistically engaging artists of Asian descent in the world today, all together in a cohesive format. ”
This year’s festival will be celebrated in five movements:
Movement 1 (Friday evening, 10/15): Urbanisms features west coast hip-hop star, Kero One, opening for Dana Leong’s Milk & Jade project which fuses electronica and hip-hop. Movement 1′s headliner is Japanese rapping sensation, Shing02.
Movement 2 (Saturday afternoon, 10/16): Generations is a direct tribute to the Asian American jazz legacy and the API consciousness movement with performances by two generations of leading Asian American pianists, Gary Fukushima and Jon Jang. Movement 2 closes with the world premiere of “Concerto for Jazz Orchestra and Taiko” composed by Jon Jang, performed by The New Asian American Jazz Orchestra directed by Gary Fukushima.
Movement 3 (Saturday evening, 10/16): Stars of the Islands is Hawaiian music night with international pop superstar Jake Shimabukuro headlining. Abe Lagrimas, Jr. and Noel Okimoto open with their vibraphone and drums quartet.
Movement 4 (Sunday Afternoon, 10/17): Angles features Japanese American pop-jazz superstar Emi Meyer opening for Undercover Culture recording group, Shanghai Restoration Project, in a multi-media hip-hop and electronic performance.
Movement 5 (Sunday evening, 10/17): Identity closes AAMF with two stars of unique artistic and cultural identities: singers Sachal Vasandani and Charmaine Clamor in two performances of jazz with world influence.
“This year’s Asian American Music Festival, an evolution from the Asian American Jazz Festival, reflects our decision to celebrate all expressions of music by API artists, no matter the genre,” says Im. “Asian American artists have had rich histories in hip-hop, jazz, world and electronic music. The festival celebrates diversity while focusing on Asian American cultural identity and the API artists who share this connection.”
DETAILS
October 15-17, 2010
Japanese National Museum, 369 East First Street, Los Angeles, CA
Online ticketing is now available through the festival’s website www.AsianAmericanMusicFestival.com
We were excited for former Audrey contributor Shannon Goss when she landed a (dream) gig writing for ER, but sad to see her leave for greener (and well-paid) pastures. Now that ER has ended, she’s back to sharing her writing skills with us, this time with a regular column looking into her life as a writer, a hapa Asian American, and all-around modern woman.
I was asked to kick off my bi-weekly columns with an introductory piece. For anyone who has visited my website knows, I’m not big on the “About Me” page.
So what follows is an essay, which is my veiled attempt to get you – the reader – to like me, read me and clamor for more.
One of my high school classmates was convinced that I, with my non-white skin, was not an American. He was equally convinced that my fair-skinned best friend was. He was wrong.
My nationality? American.
My best friend? A green card-holding Canadian.
My ethnicity, which he confused with my nationality, is half Japanese; the other half equal parts Irish, Scottish, English and Welsh. In Hawaii, where I was born, I am known as a hapa, that is, a “half.”
Despite growing up in small town Oregon (read: not a Japanese restaurant in sight), I identify more with my Japanese side than my British Isles side, thus writing for Audrey magazine and not, say, Irish Lass Monthly.
My annoyance over the misuse of “ethnicity” and “nationality” probably has to do with the fact that I was raised by parents who were teachers. In our house, words and how you used them mattered. This supports the life assumption that we can blame pretty much anything on our parents.
Fear of abandonment? Thanks, Mom and Dad. Although in my case a little unwarranted considering I’m basing this entirely on the time I thought my parents boarded a cable car without me. Spoiler alert: They didn’t, something I realized after successfully chasing down the trolley with no money to pay my fare, what
with me being 8-years-old and all.
Inability to wake up early? Totally my parents’ fault, despite my mom’s best efforts to wake me from my teenage slumber by threatening to spray me with a water bottle and/or sing Chinese opera (she is neither Chinese nor an opera singer).
Comical confusion between rights and lefts? I want to blame this on my parents because I don’t know how else to explain my consistent ability to say, “turn left” when I mean, “turn right.” My boyfriend has accepted this as one of my adorable (my word) foibles despite the fact that when I make this error he’s generally at
the wheel of a moving automobile.
In my parents’ defense, however, I also take responsibility for my hang-up about words because I am a writer. Most of the time word choice is a matter of taste. Was she agitated or incensed? Overjoyed or jubilant? This changed while on the writing staff of the show ER where one wrong word could be the difference between life and death (in a fake TV show way).
So yes, words and how they are used matter to me. But hopefully not in a pretentious, you want to punch me in the face way. More of a I’m-laughing-with-you-because-you-misused-the-word-“literally” way.
– Shannon Goss
Deciding what to wear to an event can be a grueling task. Do you overdress? Underdress? Do you wear your favorite classics or try something trendier?
And in the case of a fashion show, the age old question can be, do you go with black or color?
Through my red carpet corresponding, I’ve found most celebs sticking to the classic black for the evening. Nevertheless, some found great ways to spruce up a basic. But is it better than donning a bright hue? Let’s take a look at the competition.
The Blacks:
Serena Yang sassed up her LBD with geometric gems on the shoulder blades and killer shoes.
On any other man, this outfit would look a bit frumpy and hobo-ish but Jack Yang is not any other man. Blackjack!
Pro ping pong player (dude, I know,right?) Soo Yeon Lee kind of has this Halloween witchy costume thing going on but she’s dang gorgeous so she pulls it off.
Love Karin Anna Cheung’s blingin’ chains and hot skirt.
Lina So looks classy and elegant…and kind of out of place at this event!
Nikki Soohoo’s white stripes brings a stark contrast to her black strapless.
The Colors
Ashley Jones supports designer Jenny Han with a jewel-toned purple cocktail that looks comfy and stylish.
James Kyson Lee had a flight to NY that evening which may explain why he was so warmly dressed for the warm evening. Nonetheless, shnazzy scarf!
Lynn Chen sports a casual maroon top. We were more in love with her fabulous professional do. The first time she ever got her hair done for an event!
Mayleen Ramey looks super Californian cool in this breezy sundress and flat sandals. ROck ‘em girlfriend!
Michelle Phan’s blue gem-toned cocktail was a nice contrast to the red carpet.
Paperdoll’s unique style is shown through each members’ different fashion choices.
Sheetal Sheth rocked her gunmetal gray jumpsuit.
So what do you think? Is it cooler to stay in edgy black for the evening or don a bright hue? If you want my opinion…
I wore this for the evening (pictured here interviewing Justin Chon). So I say: viva la color!
Who went to our Audrey’s Night Out last week? (If you missed out, read about it here and here.)
If you were lucky enough to be there, you saw Carol Chen’s C.C. Couture line on the catwalk. Well, good thing we’ve got your back, cuz whether you were at Audrey’s Night Out or not, we have three C.C. Couture pieces to give away to our oh-so lucky readers!
C.C. Couture was started by Carol Chen, who first came to Audrey‘s attention as the first Asian American Miss San Francisco. Back then, she talked of her aspirations of becoming a designer, and now she has!

A puff collar, precise pleating and satin takes this coat from day to evening in a snap. Size S available.
As you can see, Chen creates modern-chic pieces for the uptown girl. I love the way a coat can practically be a dress, and vice versa.

Button this up for a chic coat dress; open, it's a sleeveless jacket you can throw over anything for instant polish. Size XS available.
For all our usual giveaway participants, listen up! The rules to win have changed!
@audreymagazine is trying to get up to 500 followers by the end of October. So, we’re giving the coats away to three tweeters who can get us the most followers by Wednesday, October 6, 11:59 p.m. Simply get your friends to follow @audreymagazine and tweet: “@(YOUR TWITTER NAME) told me to follow @audreymagazine for this awesome giveaway.” We’ll count up the tweeter with the most @mentions and award them the coats. And, you must have a U.S. mailing address to win. Good luck!
When a review copy of the latest release from Variance Films, Ip Man, crossed my desk last month, I sighed. “Another Asian martial arts movie.” Even the name was odd. But then Assistant Editor Janice Jann told me that she had seen it and it was really good. In fact, her cousin was in it, she said.
And not as a kung fu extra, either. Nope — Janice’s cousin was the star, Donnie Yen himself.
Now we had profiled Donnie Yen back in our early days, when Jackie Chan was the go-to man in Hollywood for anything martial arts. Little did most Americans realize that the man behind much of the martial arts stunts and choreography coming out of Hong Kong was Donnie Yen.
Today, Yen is a bona fide martial arts star in this critically acclaimed, multiple award-winning film. Not only did the film break box office records all across Asia, it won Best Film and Best Action Choreography at the 28th Hong Kong Film Awards, and Best Action Choreography at the 46th Golden Horse Film Awards (China’s Oscars). It was so successful, a sequel, Ip Man 2, will release in January 2011.
Directed by Wilson Yip, with choreography by Sammo Hung (remember his CBS series Martial Law, starring Arsenio Hall, in the ’90s?), Ip Man tells the true story of the grandmaster of the Wing Chun school of martial arts and mentor to no other than Bruce Lee himself. In the 1930s, Master Ip (Donnie Yen) has it made — with a beautiful family and a impeccable home in the bustling town of Fo Shan, Ip lives a life of leisure, spending his days honing his Wing Chun martial arts skills.
But when the Japanese invade China in the Sino-Japan war (1937), Ip and the rest of his townsmen are rendered destitute. When the Japanese Colonel Miura (Hiroyuki Ikeuchi), fascinated with Chinese martial arts, sees Ip’s skills and tries to force him to teach Wing Chun to his soldiers, Ip must face the most intense challenge to his training, for both the honor of his family and the honor of his country.
While the action sequences are awe-inspiring, even to this non-martial arts fan, it’s the heartbreaking story of a brutal, cruel time that really appealed to this viewer. The muted, sepia’d tone of the latter half of the film starkly contrasted with the brilliant hues and vibrancy of the first half, a clear reflection of the earlier, happier days of Fo Shan.
You can catch the original, uncut and undubbed (with English subtitles) Hong Kong version in New York at The Cinema Village starting tomorrow, Friday, October 1. The film releases nationally thereafter.
For more info, check out www.ipmanmovie-us.com.
Photos courtesy of Well Go USA/Variance Films.
I love what Brits call pimples: Spots. It makes it sound so benign, almost cute.
“Oh, you’ve got a spot.”
“Really? Let me brush it off.”
If only it were that easy.
We Americans have slightly more aggressive terms for those little suckers: Zit, Acne, Eruption, Blemish, Bacteria-clogged Pustules. Ew.
From 21 to 41, we all suffer from those miserable little “spots.” And now that it’s back-to-school, back-to-work, or just plain back-to-life, you’ll want to put your best face forward. Thankfully, the editors, staff and interns at Audrey have tried our share of acne treatments. So here are some that actually work.
For sensitive skin:
Camelia says she’s allergic to everything. “I’m lucky enough to have both sensitive skin and a million allergies to basically everything under the sun,” she says, “so when I find beauty products that won’t irritate my skin or give me hives, I can’t help but jump for joy.” Camelia tried out Boscia’s Willow Bark Breakout Treatment and has declared it her “new best friend.”
“It comes out of the bottle as a light, clear gel so I don’t have to worry about my pores being clogged; definitely a plus when I’m out and about in the warm weather,” says Camelia, who is based in the high humidity city of Chicago.
The Willow Bark Treatment is preservative-free and contains Vitamins E and C that fight free radicals and prevent future breakouts. The willow herb also helps to calm inflammation and the soapberry peel (rich in saponin) purifies and heals the skin.
Get it at Sephora or at Boscia’s website.
For stubborn spots:
Han has generally clear skin. But occasionally she’ll get that one stubborn spot. Here’s what she had to say about Murad Acne Spot Treatment.
“I had just gotten back from Chicago and New York for some vacay time, and thanks to all the yummy but heart-clogging food my friends had treated me, I was breaking out. Not like gross junior-high-I-just-hit-puberty breaking out, but my skin wasn’t as nice as it usually was.
“There was one particular blemish, though tiny, that was bugging me. It was the only blemish as my skin had only turned a little irregular in color, so I focused all my attention on getting rid of it. Soap, astringents, and easing off the junk food did nothing.
“I put a tiny dot of Murad Acne Spot Treatment Step 2: Treat/Repair on my finger and gingerly applied it after washing up. Crawling into bed, I hoped that something would happen.
“The next morning, it was gone! What had been a bump had disappeared. Pleased, I treated myself to a sundae.
“Sometimes, there are such things as miracles.”
Get it here.
For hormonal pimples:
It’s simply not fair to have to deal with wrinkles, discoloration and pimples. Not fair at all. (Fifty percent of adult women deal with acne.) And while I’m still shaking my fist at the complexion gods, at least they sent a salve called La Roche-Posay Effaclar AI Intensive Acne Spot Treatment. With 5 percent benzoyl peroxide (twice as much as most over-the-counter treatments) to zap zits, Effaclar AI also contains lipo-hydroxy acid, a pro-exfoliating molecule designed to micro-exfoliate the skin and stimulate cell renewal. What does that mean? Less residual dark spots and more even skin tone. What it means to me is my spot diminishes twice as fast and with less pain and torture.
It’s now available online at their official website.
For heavy duty zit whacking:
One of the benefits (or downsides — you decide) of being married to an editor is you get to be the guinea pig for all manner of beauty products. The husband of a certain editor (who shall remain nameless, but really, it’s not hard to figure out) still gets that occasional angry pimple. (He sleeps on his face, uses all sorts of waxes and sprays on his long-ish hair — no big surprise.) So we pulled out the big guns for him: Glytone Acne Treatment Gel with 10% benzoyl peroxide. Ten percent! Needless to say, it does the job, but to prevent overdrying, use it for your occasional, super-angry spot.
The whole shebang:
If you need or want more than just an occasional spot treatment, go with what one editor swears by. The packaging may not be oh-so pretty, but Clearogen does the job. A three-step acne treatment and prevention system addresses both the causes and symptoms of hormonal and stress-induced acne. Created by board certified dermatologist Dr. Alex Khadavi, Clearogen attacks DHT (dihydro-testosterone) which causes oil glands to become overactive. Clinical studies show a 95 percent success rates, with results seen in as little as 30 days. Our editor swears it’s the first system that’s ever prevented a PMS pimple. Now that’s progress.
Get the three-piece set (foaming cleanswer, clarifying toner and acne lotion) for $69 at Clearogen.com.
‘Cause it was awesome!
Here are some of our favorite parts of the night.
Audrey’s makeover of the Petersen Automotive Museum was a complete success. The already gorgeous showroom was enhanced with lavender gobo light strewn across the walls. Our only gripe may be going all the way to first floor just to use the restroom but if you can’t make the trek, you didn’t really need to go anyway.
Star-studded Red Carpet
Lots of celebs popped up on the red carpet, including The Bold and the Beautiful’s Ashley Jones (pictured above), C.S. Lee (Dexter), Youtube makeup guru Michelle Phan, and Amy Hill. Non-celebs also made plenty use of the bright orange Audrey backdrop, posing like the inner-divas they are throughout the night.
The Twilight star stole the show not once but TWICE when he took the stage hosting the celebrity runway portion of the show. First, he gave an endearing speech honoring and celebrating the Asian American woman and then he took off his shirt to reveal some bright red nipple tassels and short jean shorts. Talk about making a fashion statement!
Fashion

You must be 5’10″ and 100 lbs. to pull this Mik Imik dress off but we still think it’s super pretty.
The outfit on the left is SO HOT. The bowler hat, the red lace rights, the fluffy scarf. Jotting it down for our Christmas wish list. And the fur vest on the right is furr-ocious. Paws off to designer Jenny Han.
We loved being able to check out what we saw on the runway right after at the designer pop up booths. That way, fashion like Jellypop shoes (above) can go straight from the runway to…your feet!
Let’s face it, we’re Asian. We love free stuff. The packed Audrey’s Night Out goodybags reciprocated our feelings quite nicely.
Meeting new people while hanging out with old friends are the key benefits to Audrey’s Night Out. Whether mingling, networking or flirting, there were plenty of people from the 1000+ guest list to chat with.
Hey, we had a long, hard month working on this night, okay? Thanks Ketel One and Stella Artois for making it all that much better.
Photos courtesy of Karla Ticas. What were your favorite moment from the night?