Beverly Center’s brand new store: Versace Collection | Photo by Jennifer Oh
The Beverly Center shopping mall in Los Angeles is home to many high-end and affordable clothing stores and boutiques. Stores such as, Tiffany’s, Burberry, Forever 21, and Macy’s have had Los Angelenos and tourists flock to Southern California’s very first fashion location. Now, shoppers could purchase from its brand new store, Versace Collection. The high-end brand house extended its line so that men and women could have a chance to wear Versace without breaking the bank.
On Saturday, October 20th, Audrey Magazine attended a private viewing of its Fall/Winter 2012 Collection. Hosted by Phoenix International Magazine, event goers, who were dressed in their best clothes, sipped on champagne and hors d’oeuvres as they enjoyed the mini fashion show. After the models strutted the clothing around the store, attendees spent some time shopping. 10% of each purchase that evening was donated to The Pediatric Cancer Research Foundation.
Continue Reading for pictures and a peek at the Fall/Winter 2012 Collection!
World badminton champion Howard Bach goes for the kill in his last Olympics this summer in London.
ISSUE: Summer 2012
DEPT: Personalities
STORY: Melody Lee
PHOTO: Melly Lee
Growing up, Howard Bach had always been quite the athlete — he ran track, played baseball and soccer — but he eventually decided to stick with badminton. Today, he is a world champion in the sport and is training for his third, and last, Olympics in the badminton men’s doubles event.
At the age of 5, Bach picked up the sport from his father, who used to play back in Vietnam. He moved to an Olympic training center at the age of 16 and has since racked up a long list of accomplishments in the sport. With his partner, Indonesian American Tony Gunawan, Bach made history in 2005 when the pair won the gold medal in the men’s doubles competition at the World Badminton Championships, becoming the first American badminton athletes to ever medal at a World Championship. In 2008, Bach and his doubles partner, Bob Malaythong, made it to the quarterfinalsof the Olympic Games in Beijing, advancing farther in the Olympic sport than any other Americans in history.
Now facing his last Olympics — at 33, he’s married and has a baby boy — Bach is training hard. His regular routine consists of everything from weightlifting to track to on-court training two times a day, five days a week. Bach is hoping to end his badminton career as a full-time athlete with a medal, but regardless, he plans to stay involved in the sport and maybe even raise its profile in the U.S. “America has one of the best athletic pools around the world, yet you see mainly Asians in the U.S. playing badminton,” he says. “That mentality should change. We have a lot of athletes of different ethnic backgrounds who are equally as athletic who would definitely enjoy the game as well.”
Bach credits his family, friends and sponsors for his success. “Being an athlete, it’s not enough to just have the talent; you need to have the environment to make an athlete successful,” he says. “I always mention it as the team behind the team, the support group, and I’ve been pretty blessed to have that support group behind me.”
— Melody Lee
Though the Hotel Cafe alumnus has a new label and team of producers, Meiko isn’t afraid to walk alone.
ISSUE: Summer 2012
DEPT: Personalities
STORY: Christina Lee
PHOTO: Leigha Hoonet
In April, Meiko trekked to Kahuku, Hawaii, for a gig and a few days of relaxation — alone. She’d asked two friends to join her, though neither of them was available. “I thought it was going to be horrible to be by myself, but now I’m getting more excited,” she says days prior, by phone. “I can go by myself, chill out and do all the things I want to do, without making sure that’s OK with everybody else.”
In 2007, Meiko transitioned from Hotel Cafe waitress to one of the name sake tour’s biggest success stories: Grey’s Anatomy played her songs and Perez Hilton praised her, which helped catapult her independently-released, self-titled and mostly acoustic debut album to No. 1 on iTunes’ Singer/Songwriter chart. Her latest, The Bright Side, released last May, comes courtesy of Concord Music Group offshoot Fantasy and a new team of producers. Along with longtime collaborators(Jimmy Messner, Greg Collins, Tony Reyes), Meiko enlisted Belgium producer Styrofoam — based on his remixes of Postal Service and Submarines songs. “I’ve always wanted to do that, mesh the acoustic, organic vibe with a little bit of electronica here and there,” she says.
Inspired by her current boyfriend, whom she met at the South by Southwest festival three years ago, The Bright Side also has Meiko breathlessly vowing to bake pies, declaring that she’d make a good wife, swooning. But when she rattles off this year’s traveling plans — snorkeling and eating shaved ice in Hawaii, flying to Japan to meet maternal relatives for the first time — it’s still easy to imagine her retreating to her childhood bedroom in Roberta, Ga., writing kiss-offs to boys and terrible friends. “I’ve tried to distance myself from negative people I was hanging out with,” she says, “and that’s actually why I spend a lot of time by myself, writing and doing a lot of soul-searching.”
— Christina Lee
Kyung-sook Shin, the first woman to win the Man Asian Literary Prize,
shares her thoughts on mothers, daughters and the loneliness of modern life.
ISSUE: Summer 2012
DEPT: Plugged In
STORY: Carol Park
PHOTO: Lee Byungryul
When Kyung-sook Shin wrote Please Look After Mom, she never dreamt it would be translated into multiple languages that span 32 countries. Its tale of a daughter, son and husband looking for their beloved mother and wife has connected with millions, while also collecting critical acclaim and awards. In March, it won the Man Asian Literary Prize, bestowed on the best novel, either written or translated into English, by an Asian writer. Shin is the first woman and the first Korean to win the accolade. Born in 1963, Shin published her first work of fiction, Winter’s Fable, in 1985. Today, Shin is a prolific writer and is recognized as one of South Korea’s most widely read and honored novelists.
Audrey Magazine: Is your mother an important figure in your life?
Kyung-sook Shin: When I was 16, way before becoming a writer, I took a train in the countryside with my mom to go to school. There was a night train, and I saw my mom in front of me and I thought about her. And I said to myself, “One day I’m going to write a novel about moms and dedicate it to her.” I worked on the actual novel in 2007 and 2008, but the reality is that it was being written in my mind since I was 16.
AM: What is the story about?
KSS: The story is about the reality of our world today, and how we’ve left our mothers to live lonely lives. As the reader reads the story of the son, daughter and father searching for the mother, the reader is able to connect to something that is in them. Also, as they read the novel, it makes them think about their mothers, whom they may have forgotten.
AM: How has the response been to the book?
KSS: I was surprised to see that the international reaction was the same as that of Korean readers. What pleased me the most was when I heard from readers who didn’t have good relationships with their mothers, telling me they re-examined those relationships and about who their mothers are.
AM: There was some controversy about NPR’s broadcast of Maureen Corrigan’s review of your book, where she said readers would be “reaching for the cheap consolations of kimchi scented Kleenex fiction.” What do you think about the comment?
KSS: I think it’s just a cultural difference. Those tears are not only just from sadness but also from the cleansing and purification of your self and soul.
AM: Did you feel there was anything lost in the translation of the novel from Korean to English?
KSS:I was very satisfied with the translation. Throughout the process, the translator [Chi-Young Kim] and everyone worked closely together.What was lost was the mother’s regional way of speaking that, of course, could not be translated. Even for Koreans, the mother’s way of speaking is not a language people from Seoul speak, so it was not possible to be translated.
AM: In the story, the mother asks the daughter for a rosary. Was there a specific reason?
KSS: The rosary symbolizes the mom’s prayer and peace; she was wishing for peace and consolation for other people. All of us forget the fact that our moms are also human beings, and they also need moms, too. They were not always mothers.
AM: What’s the universal thread or message of the novel?
KSS:If you look at the very beginning of the novel, there is a quote [from Franz Liszt]: “O love, so long as you can love.” This is the theme of the novel. I hope readers remember that quote.
Cat Seto is known for her whimsical aesthetic, which started out as a charming paper goods line and has now expanded into a boutique and studio. So when fellow mom and entrepreneur Meg Mateo Ilasco approached her about co-authoring a book, she jumped on board. The result, Mom, Inc.:The Essential Guide to Runninga Business From Home, draws on the pair’s own experiences, as well as interviews with successful mothers like DwellStudio’s Christine Lemieux, to reveal the ins and
outs of running a business while still staying focused on home and family.
ISSUE: Summer 2012
DEPT: Plugged In
STORY: Daisy Miclat
PHOTO: Ruby Press
Audrey Magazine: How did you and Meg come up with the idea for the book?
Cat Seto: Meg’s known for this very popular series of crafting books, and she knew I started a whole bunch of businesses. I had stationary cards, wedding invitations, my own shop and a website dedicated to entrepreneurial women. She looked at my website, MomIncDaily.com, where a community of women get together to talk about biz how-to’s on topics from production to design. She knew that I would have some great tips and be helpful in creating a book about business for mothers.
AM: What were some memorable experiences while writing this book?
CS: There were definitely “mommy” moments during conference calls. My son would be yelling while Meg’s kids were falling and creating banging noises. Our calls would be really funny, but were really productive.
AM: What was your inspiration for Mom, Inc.?
CS: This book was inspired by both of our mothers. They were both workaholics who loved their families and took joy in doing what they love to do. My mother passed away while I was a pregnant with my son Nolan. It was a very difficult time for me. But it was very helpful to be supported by this community of women who went through similar experiences and were able to get through it. This book helped me to preserve the memory of my mother for both my- self and my son.
— Daisy Miclat
Mini Review: Legend
ISSUE: Summer 2012
DEPT: Plugged In
STORY: Kanara Ty
Dystopian young adult novels are all the rage thanks to the popularity of The Hunger Games, but Marie Lu serves up a novel that brings something new to the table: an Asian American literary male character who packs a lot of swag, has major ass-kicking skills with a heart of gold, and charms the socks off the leading female character (myself included!). How’s that for your lead character in a debut novel? With two warring states (the Republic and the Colonies) set as its backdrop, Legend follows two teenage star-crossed lovers, Day (the AA hero) and June, who each come from very different backgrounds — one is a wanted criminal with not-so-malicious intentions, while the other is a rising elite military officer. They cross paths in a cat-and-mouse chase, as Day is framed for the death of June’s older brother, Metias. Eventually, the two join forces to uncover the mysteries of his death and the secrets of the Republic, the governing body of the West Coast.
— Kanara Ty
THROUGH THE EYES OF BABES: During the four years of the genocide committed by the Khmer Rouge,
a small child is witness to daily horrors — as well as everyday humanity — in Vaddey Ratner’s
autobiographically-inspired novel, In the Shadow of the Banyan.
ISSUE: Summer 2012
DEPT: Plugged In
Story: Susan Soon He Stanton
How does one write about atrocities? Can there be good amongst all the evil? Vaddey Ratner’s debut novel, In the Shadow of the Banyan, answers these questions. The book reflects upon the Cambodian genocide of the 1970s, a nightmarish time during which 2 million Cambodians perished (almost a third of the population.) Ratner’s story is drawnfrom her own personal history; Ratner was 5 years old and a member of a royal family marked for execution during the Khmer Rouge regime. Disguised as a peasant, she survived years of forced labor, starvation and near execution, finally escaping and living long enough to tell a story not of despair but of hope.
The story is told from the point of view of Raami, a 7-year-old child crippled by polio. Thanks to this disability, she was often ignored and forgotten by those around her, allowing her to become a keen observer of her rapidly shifting world. The novel begins in the idyllic days before the fall of Phnom Penh, at Raami’s luxurious family home. Despite the epic turn of events, In the Shadow of the Banyanserves as a delicate character study, and the reader observes each family member through Raami’s watchful eyes. The characters who emerge most vividly from the narrative are Mama, who begins the story looking like “a butterfly preening herself” and smelling of jasmine, and Papa, known as the Tiger Prince and an emotional pillar of strength in the novel. Throughout the difficult times, Papa is able to retain his humanity, embodying the qualities of both a philosopher and a leader. Distinct but minor players are Big Uncle, who is larger than life, and Grandmother Queen, who suffers from dementia, living more in the past than in the present. Raami and her large extended family are forcibly relocated several times, and eventually separated.
Curiously, for all of the atrocities witnessed and hardships experienced, Ratner’s story is filled to an even larger extent with optimism and beauty. Ratner’s gift is her exquisite descriptions of the careful details of daily life, such as planting rice or observing a turtle swimming in a stream. Most of the accounts in the book concern these mundane details rather than focus on the lurid atrocities. The decline of Cambodia is painted in a hundred subtle ways: in the beginning, Papa remarks that their basil-seed dessert was not properly sweetened; near the end of the novel, Mama shares a water bug with Raami, who devours it ravenously. Through the novel’s slow pace, Ratner’s vision of the genocide becomes more real and disturbing. The Khmer Rouge’s four years of hell were not just an epic series of events but an accumulation of long and difficult days. Since the novel is told through the eyes of a child, certain larger political aspects of the time are not discussed in depth. However, Ratner subtly takes the reader through the reasons for the regime and the many ways the people were killed, including execution, starvation and malaria.Yet simultaneously, Ratner constantly finds opportunities to inject moments of surprising kindness or beauty throughout the story, reminding readers of the goodness of human nature.
In her author’s note, Ratner describes her desire to memorialize the loved ones she lost with an enduring work of art. Shehas done just that; hers is a beautiful tale with considerable poetry and restraint. In the Shadow of the Banyanis an important novel, written by a survivor with unexpected grace and eloquence.
Summer may bring to mind barbecues and pool parties, but why sacrifice style for a warm weather fête when all it takes is a few details to lighten up any look? Here, some experts show us how we can bring summer to two very different décor styles.
ISSUE: Summer 2012
DEPT: Audrey Living
PHOTO: Callaway Gable
STYLISTS: Carpe Diem Special Events and Designs; Rrivre Works, Inc.
FLOWERS: Mille Flori Floral Design
VENUE: Rrivre Works, Inc.
“When you’re thinking of a summer dinner with friends, it is always nice to give your guests the unexpected,” says Slomique Hawrylo, who runs Carpe Diem, an event planning company, with partner Alice Chung. Always consider your surroundings when planning your tablescape, says Hawrylo. If you’ve got access to a great outdoor setting with a breathtaking view, you’re practically done. But if you’re working with an indoor venue, Hawrylo suggests an eye-catching print accenting the wall behind your table setting, like a bold damask design. Setting up a striking backdrop is easy to achieve, she adds. “Just purchase a large amount of fabric from your local fabric store and hang it flush to the wall accenting your tablescape.”
Against a sophisticated black and white backdrop, Hawrylo finds it important to make sure accent pieces are “wow pieces.” She suggests “sprinkling in a little summer brightness with a crisp apple green,” like vintage-inspired stemware and napkins. Don’t be afraid to mix and match modern and vintage styles of stemware in varying shades of your accent color. “Your guests will be impressed by the wonderful play on colors,” she says.
Florist Gina Kim-Park of Mille Fiori Floral Design continued the apple green theme by accenting each table setting with green cymbidium orchid blooms. She also used “modern baroque-style” mirrored trays for the charger. “You can purchase any cool picture frame to use as chargers for any dinner setting,” she adds.
To play off the bold damask backdrop, Kim-Park created an oversized garland with white and black paper flowers. She created one centerpiece with a white paper flower bloom accented with green moss balls, and another utilizing white akito roses meandering down a tall ceramic vase. As for setting up the layout of your dinner party, never feel that you are confined to the conventional table, says Hawrylo. “If you have a unique bar at your home, and you want your guests to experience a modern way of having a dinner party, have the entire evening themed around the bar. Your place settings, conversation and, of course, drinks will all take place at this unconventional table.”
If you’re working with a more traditional dining setting, bring summer inside — in an enchanted-forest- midsummer-night’s-dream type of way. This dreamy tablescape was created around the Montage Table, which features a magnolia tree at the center, by Rrivre Works, an event design and rental company. “Bring the outdoors in with living foliage, and accent with florals in the colors of the season,” says Rrivre Davies, owner of Rrivre Works. If your dinner is outdoors, he suggests building a table around your favorite tree.
If you don’t happen to have a tree in your dining room, “consider a potted tree for your next centerpiece,” says Hawrylo. “Big or small, it can provide an unexpected wow factor.” Kim-Park used oversized glass balls with candles for a whimsical yet modern touch — a crystal garland would work just as well against the hand-distressed texture of the table. She added large succulents with accents of fern greenery “for a more organic feel.” 
“We like to take our themes to the max,” says Davies. “Sweet bird dishware and natural linen napkins take the stuffiness out of a formal event without compromising elegance. Layering multiple textures gives the setting a unique, eclectic look.” Pair vintage-inspired “found” dishware from flea markets and estate sales with your existing china to add personality to your table. And never underestimate the power of a napkin, says Hawrylo. “The right color or detail on a napkin can make a table pop. An easy way to add a little flavor to your napkin is by taking two napkins with two different colors and folding it to accomplish a two-tone napkin. This adds character and a little charm.”
Finish off the tablescape with fresh seasonal blooms. For this particular look, Kim-Park used ranunculus, peonies, tulips, fruitilaria and green viburnum in a gold alabaster glass urn, but she says natural florals in miniature vases spread throughout the table work, too.
Columnist Paul Nakayama is determined to get to the bottom of what his male friends really want in a woman. What he discovered? Ask a woman.
ISSUE: Summer 2012
DEPT: Audrey Living
STORY: Paul Nakayama
To be perfectly honest, I’ve been dreading writing this issue’s Awful Truth for weeks now. Seeing as I’m currently stuck in my hotel room in Jodhpur, India, awaiting the passing of a brutal dust storm, I guess it’s nature’s way of telling me to get off my ass. I just wish my to-do reminders didn’t consist of strong winds scooping up cow dung from the streets and whipping them around town. I prefer the carrot to a stick made of hepati- tis. At any rate, the topic for this issue is what men really want, so here’s what I did: I asked my single friends what they look for, and I asked my married friends what they love about their wives. If this works, the answer hopefully lies somewhere be- tween a booty call and a divorce.
The dimmed open space of The Conga Room at L.A. Live enveloped the bustling mixed crowd of fashionable patrons and photographers as they all waited for the show to start. Past the host and the bar stood an abundantly spacious stage bearing the designer’s name “Sue Wong” and where the source of the alluring red light seemed to be coming from. It definitely set the tone of the Spring ’13 Collection: the anxious onlookers were about to step into a dramatic show of mystery, exoticism, sentience, and the perplexing beauty of nature.
Continue reading for more details & pictures!
Ever wonder who makes important creative decisions for major department stores, such as Bloomingdale’s; and do you ever wonder what his/her advice and sense on fashion are? Lucky for you, your speculation ends today. We tracked down Bloomingdale’s Senior Vice President of Creative at Bloomingdales.com, Sophia Tang, and had her answer questions that every woman should know the answers to – especially when it comes to your closets.
Get to know Tang’s insight on must haves and the way she would go about dressing for fall for various occasions by continuing to read.
