Winter Issue Extra: Michelle Phan on Feminism, Fame and Being the Boss


Need more of our Winter issue cover girl Michelle Phan? Here, an insight into the woman behind the Michelle Phan empire.


On whether she considers herself a feminist:

“The definition of being a feminist has changed so much. During the ’60s and ’70s, it was burning bras and everything. I’m like, no, I love bras. They keep my boobs up. I don’t care if they were invented by men. Who cares? It’s really hard to say that I’m a feminist because the definition is still very blurred. But I tell people I’m a humanist. I believe in humanity. I believe you need both male and female to create life. To create balance, you need structure and you also need softness.”


On being the boss:

“People have this idea that when you’re the boss, everything is easy, but actually no, everything is harder. You have to have accountability for all the people you bring on. It’s a huge responsibility. People who are working a 9-to-5 job, they go there, they do their job, they go home, and they can do whatever they want. But when you’re the boss, you bring work home. There’s always going to be a sacrifice. Nothing is going to be given to you for free.

“At first, it was so hard. I didn’t get any sleep. But if you really want to start expanding your business and you really want to grow, that means you need to scale. You have to hire on people to help you. Instead of working harder, it’s about working smarter.”


On becoming online-famous:

“I’ve seen people become obsessed with, like, trying to get the numbers, and it’s no longer fun for them. It’s almost like they’ve become a slave to chasing the fame game. Chase your passion, not your fame. Passion will be more rewarding than fame and it lasts much longer. Fame is almost like junk food. It tastes good, but have too much of it and it becomes very distracting. Passion is like eating a healthy, balanced meal. Yeah, you might not get the instant gratification, like fame. But why would you want that validation? If you really need that validation, for people to praise you and give you attention, then obviously there are holes in your life.”




On oversharing:

“It’s nice to breastfeed your baby, but I don’t want to see the milk coming out of the nipple and clotting up and everything. This isn’t, like, National Geographic. But the definition of oversharing is subjective.”


On whether selfies are a tool of empowerment or an act of narcissism:

“Both. There’s narcissism in it — I’ll be the first to admit it. But it’s great because you should feel confident in the way you look. You should feel beautiful and want to show the world how beautiful you are. But if you’re posting a selfie every single minute, you’re brushing along the line of becoming obsessed with wanting validation, and I think that’s unhealthy. When I share a selfie, it’s almost like a hello. I don’t take a picture of myself to ask for praises. I take it to share it with my followers. A lot of people take pictures of themselves for validation. They say, ‘Ugh, I’m so ugly. I’m not wearing any makeup,’ but obviously, they look beautiful so they’re just fishing for compliments. For me, that can be destructive.”


On being limitless:

“Society has built it so that we have to think like we’re in boxes. If you’re a scientist, you can only be a scientist. You can’t mix science with religion and spirituality. Or if you’re a nurse, you can’t also be a football player. I saw that, and I realized, no, I don’t want to be in a box. I want to be limitless. So my whole new philosophy on life is thinking infinitely. There’s no beginning or end. Everything is a cycle. Even the plants outside come from dead cells. They used to be humans or animals. The sun comes up and then comes down and then comes up again. Having that philosophy in my head gave me a lot of peace.”


Don’t forget to read the Winter 2014-15 cover story here.


Korean Actor Lee Byung-hun Stars as T-1000 in “Terminator Genisys”

The Terminator is back, and this time around, the villainous T-1000 cyborg will be portrayed by Hallyu actor Lee Byung-hun.

Terminator Genisys is the latest installment of the sci-fi action franchise and brings a new twist to the doomsday timeline. Both a sequel and reboot to the original 1984 Terminator film,Genisys recasts all of the main characters except for Arnold Schwarzenegger‘s titular killer robot. In the freshly released trailer, Lee is briefly featured as a deadly, shapeshifting liquid metal T-1000.

Watch the clip below:

Set in the year 2029, Genisys follows John Connor (Jason Clarke), leader of the resistance, as he continues to wage war against the killing machines created by Skynet, an artificial intelligence system. Mirroring the first movie, Connor sends his loyal soldier, Kyle Reese (Jai Courtney), back in time to save his mother, Sarah Connor (Emilia Clarke), from assassination and to ensure his own existence as the resistance draws closer to victory. However, Reese ends up landing in an alternate timeline, in which Sarah becomes orphaned at 9-years old and is raised by an older T-800 robot (Schwarzenegger), programmed to protect her.

Terminator Genisys is slated to release on July 1, 2015.


This story was originally published on



Michelle Phan, YouTube’s “Beauty Bestie,” Empowers Women From the Outside In


Know this face? This is the face of a CEO, media exec, lifestyle guru, music producer, entrepreneur, author, multimedia artist, beauty expert and YouTube mega-star. And according to Michelle Phan — the head of a multifaceted empire, a digital pioneer who reaches 11 million people on a daily basis,a woman who epitomizes multi-hyphenate — she could be you or me.


Story by Michelle Woo


Inside a Dillard’s department store in Tampa, Florida, Michelle Phan walked to the beauty section crammed with gleaming displays of eyeshadows and cream concealers, approached the woman working behind the counter, and said she’d like to apply for a job. Home from college in the summer of 2007, she needed to earn some money to help her single mother who had been working 15-hour shifts at the family’s nail salon. Plus, she loved beauty products and thought she’d be good at teaching customers how to use them.

The woman looked at Phan’s application and told her she needed retail experience.

Phan pleaded for a chance. Trust me, I can sell makeup, she said.

The woman said they’d call if there was an opportunity for her. Phan waited. Two weeks went by, and she still hadn’t heard back.

Undeterred, she grabbed her makeup bag, perched her laptop on a table in her patio, and turned on the webcam. Then, she looked in the camera and filmed her first beauty tutorial.


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VidCon, a mega-gathering of online video stars held in Southern California, where she spoke on a panel, signed autographs and posed for selfies in a sea of 18,000 mostly millennial-aged attendees.

“I call it YouTube petting zoo,” she says of the annual event. Wearing a simple striped shirtdress and ballet flats, she sits on an Ikea counter stool and types on her phone while her hairstylist, Octavio, fluffs her cascade of smooth, dark curls. “You’re mobbed and you’re chased. But it’s cute.”

The 27-year-old YouTube star is getting ready for a photo shoot in her Los Angeles studio, a Pinterest-perfect space sprinkled with chic décor items — a Tiffany-blue globe, speakers shaped like hot pink gems, lip gloss tubes in a glass vase and a ceramic mug adorned with the letter “M.” On a wall, mounted inside a glass frame is a gold-plated “play” button, a gift sent to her from YouTube execs when she hit 1 million subscribers. (She was the first to do so, but that was a couple years ago. She now has 7 million “subbies” and counting.)

Since uploading that first video tutorial in 2007, Phan has become a beauty and lifestyle power brand. She’s one of the first vloggers to achieve offline fame — her videos have played on a gigantic screen in New York City’s Times Square — and her success shows no signs of fading in the way of other one-viral-hit wonders. (“I feel like the Mother Goose of YouTube,” she says, while texting advice to a friend on hiring employees.) She has her own media company (FAWN: For All Women Network), makeup line (em michelle phan, backed by L’Oréal), and subscription beauty box company (ipsy). And she’s just released her first book, Make Up: Your Life Guide To Beauty, Style and Success—Online and Off.

While she started with straightforward videos on how to apply makeup — which have ranged from the practical (“Brow Basics” and “5 Ways To Plump Your Lips”) to must-hit-the-share-button-now shocking (she’s transformed herself into icons such as Angelina Jolie, Lady Gaga, Game of Thrones’ Daenerys Targaryen and even Barbie, a clip that has logged more than 57 million views) — Phan has evolved over the years into a self-proclaimed “life guide.” Like a modern-day Emily Post, she tackles topics spanning from hostess gifts to “textiquette” to starting over after a breakup, sharing bits of wisdom on YouTube, Facebook, Twitter, Instagram and her blog with her legions of fans who eagerly seek guidance on how to be all things Michelle.

It’s a life where every digital move is strategized, calculated and deliberated. At her kitchen counter, Phan’s team hovers around laptops and reviews the font on a promo flier for an upcoming live Twitter Q&A. During a conference call, they finalize the social media hashtags for her new book. Watching Phan in real life is sort of like being sucked into an infomercial. (I decided I needed to buy the teeth whitening device and detox vitamins she uses after she gushed about them. And no, neither company has paid her.) Yet she never comes across as mechanical. Instead, Phan is charming and exudes an everywoman realness, like an in-the-know friend. Naturally, her YouTube nickname is “Beauty Bestie.”

To Phan, branding is not about manufacturing fame, but about always presenting your best self, which she believes all young women should aim to do, Internet sensation or not. It’s also about embracing a DIY attitude at a time when financial certainty is scarce. “I was reading that we may not have Social Security money,” Phan says as a makeup artist brushes her eyelids with color. “It’s going to run out, so there’s not going to be any retirement money for you and me. So I told myself, I don’t want to depend on the system; I want to depend on myself. People my age paid so much money for college, and they’re in debt right now and can’t get a job because they have no job experience. How does that system even make sense?”

Phan wants to help lead a new movement, one that urges young men and women to build their own businesses, whether it’s making web videos or opening a food truck. “The Internet is changing the marketplace,” she says. “It’s no longer about conglomerates, but about sharing. It’s about asking, ‘What can I contribute to society? How can I make society better?’ People think, oh, well, you make makeup tutorials. It’s like, no, no, no. You don’t realize it’s not just makeup tutorials. It’s videos empowering women. When you have women feeling good about themselves, that can change the entire world.”

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PHAN WASN’T LIKE THE OTHER girls at school. She had little interest in hanging out at the mall or playing Truth or Dare at sleepovers. Instead, she often spent her days sitting in her bedroom with an encyclopedia set that her family picked up from a yard sale, reading it from A to Z. “I was obsessed with Egypt,” she says, her eyes widening. “I learned how to write my name in hieroglyphics and made my own mummy and sarcophagus using papier-mâché. I kept it in my closet. My mom would always tell me to throw that thing away.”

She reflects a lot on history and the concept of time. It’s something that shapes her, fuels her. “I’m not interested in Hollywood scandals,” says Phan. “They’re so trivial. All these people that you see in this town think they’re ‘it.’ It’s like, no, you’re not. You’re very temporary, and so am I. When you think about it, the invention of the car was about 100 years ago. Such significant changes can happen [in a short time]. Imagine if everyone came together to work for a common goal rather than just going off and becoming the king of the world on their own.”

Her own history, as she tells it, begins in Vietnam. Both of Phan’s parents fled the terror of war in the late 1970s. During his escape, her father spent three months on a boat carrying refugees to Hong Kong. Many passengers died, and he watched as bodies were tossed overboard. “The cold,” says Phan. “He’ll never forget how it felt. It went straight through his bones.” Years later, Phan was born in Boston. Her father gave her the Vietnamese name Tuyet Bang, the word for avalanche, to capture that “unstoppable force.”

When Phan and her brother were babies, her parents stuck a crib in the back of a $600 van and drove for four days from Boston to San Francisco. There, her father developed a gambling addiction and would often lose the money they needed for rent. In one year, the family was evicted 10 times. “My mother would hide money inside my teddy bears and jacket pockets,” Phan recalls. “She’d say, ‘Don’t tell Father.’ I had to learn these mind games growing up. It sucked.”

They eventually moved to Tampa, and after a short time there, Phan’s father, who had been struggling in the flooring business, announced he was going back to Boston to look for work. He never returned. Phan says she always had it in her head that she’d find him again, and when she finally did as an adult, he told her that the moment he walked out, he knew she would be OK in life. She still loves him, she says. “He was a risk taker, kind of like me. He was just very lost.” When asked what her father’s best attribute as a parent was, she says, “He left us alone.”

High school started out miserably. As one of the few Asian Americans in her Florida town, she was taunted by kids who’d yell “ching-chong” and “do Jackie Chan moves” when she walked through the halls. “I was an emotional punching bag,” she recalls. She tried to cope the way many other young girls do — by changing the way she looked. To fit in with the Latina girls, she would lie in the sun until her skin was golden bronze, slather her hair with baby oil and wear “giant earrings with my name on them.” When she decided to try out the “hood look,” she asked her black friends to braid cornrows in her hair. “Part of it was insecurity,” Phan says of her experimental makeovers. “I didn’t think being me was good enough. But part of me liked it. I was this very emo kid. Wearing these masks empowered me to show different sides of myself. I could change my book cover.”



AS MALCOLM GLADWELL HERALDS in Outliers, his best-selling book on success, timing is critical. (His prime example is that several tech revolutionaries were born around 1955 and were about 20 years old at the dawn of the Computer Age — Bill Gates, Steve Jobs and Paul Allen, among others.) For viral YouTube videos, it was 2007 that heralded a new era. It was the year the world was introduced to the hit clips “Charlie Bit My Finger,” “Chocolate Rain,” “Leave Britney Alone!” and the bait-and-switch meme known as “Rickrolling.”

Two thousand seven was also the year that a 20-year-old Phan uploaded her first makeup tutorial video. She had grown up with computers, selling candy with her brother at school to scrape together enough money to buy a bubble-shaped Apple iMac G3. At 15, she would read blogs and share her drawings of anime characters on the social network Asian Avenue, where she was known as “Asian Goddess.” She then joined the popular blogging platform Xanga, chose the username RiceBunny and wrote entries on topics ranging from how to make a ninja mask to how to curl your hair. Thousands of people read and commented on her page daily. “My ambition was to be popular online because I wasn’t popular in real life,” Phan writes in her book.

Using money that her uncle gave her family after visiting once and seeing that they had been living out of boxes in a single bedroom, Phan enrolled at the Ringling College of Art + Design in Sarasota, Florida. That year, the college announced it would give each freshman student a MacBook Pro.

It was with that MacBook Pro, just seven years ago, that Phan decided to make a video titled “Natural Looking Makeup Tutorial,” filming it in the patio of the home where she was renting a room. In the clip, edited with iMovie, Phan applies makeup for seven minutes, dabbing concealer under her eyes with her ring finger, filling in her eyebrows with eyeshadow and lining her eyelids with liquid eyeliner. She chose not to speak on camera, a stylistic decision that would become one of her trademarks. “I figured if someone is watching this, she’s probably not going to want someone who’s, like, ‘Alright, guys, now take your eyeliner and line your eyes!” she says, imitating a perky Valley Girl. “I wanted something softer, something very therapeutic and spa-like.”

Instead of talking into the camera, she records a separate vocal track, her lulling voice narrating each step over soft music. The result is so hypnotic that even those with zero interest in mascara can’t help but hit replay. She wanted to channel the late Bob Ross, star of the oddly captivating PBS show The Joy of Painting. “You know,” Phan says, “the one with the ’fro who was always like ‘happy clouds’ and ‘happy grass’ and was probably, like, baked out of his mind.” As for the tutorial, she says, “No one did it the way I did.”

Almost instantly, people started watching and then telling their friends. They would comment that she was beautiful and her voice was so calming and, hey, can you teach us how to do a smoky eye next? By the end of the week, the video had received more than 40,000 views.

Phan started posting more tutorials, and during breaks between classes, while the other students would wander outside to have a cigarette and gossip, she would open her YouTube page and hit “refresh,” watching the number of pageviews rise. Her teachers would tell her to stop getting distracted by this little hobby, but she knew it was becoming something more.

Before the days of savvy job seekers stamping their Klout scores on their résumés, when the term “followers” would more likely bring to mind images of a religious flock, Phan says she was already thinking about ways to build an online audience. She felt that it would help her somehow, even if it wasn’t quite clear how. “I saw what was happening,” she says. “I saw people graduating and not getting jobs. I just wanted to have my own little safety net that I built myself. I wanted to have some sort of advantage. I knew about the power of networking and the power of getting on people’s radar.”

Hank Green, co-creator of VidCon and the Vlogbrothers (a wildly popular YouTube show that he hosts with his brother, John Green, author of The Fault In Our Stars), explains, “Michelle wasn’t just one of the first beauty creators on YouTube — she was one of the first creators on YouTube. By mixing useful tutorials and tips with a positive and affirming outlook on life, she helped to define an entire genre of video that has become hugely influential.”

The little “hobby” also started bringing her a little money. Through her YouTube channel, Phan started earning 20 cents a day, and then $20 a day, and then $200 a week. Soon, she quit her part-time job as a waitress at a sushi joint. The restaurant owner shook his head and told her she could come back once she woke up to reality. But she insisted that he give her job to someone else. “If you give yourself a safety net, you give yourself that doubt,” Phan says. “But if you remove that safety net, you don’t even have an ounce of failure in your head. Because you can’t. It’s all-out or nothing. Success or bust.”

Phan was entering her final year of college and was supposed to choose a topic for her thesis. She had narrowed it down to either a project inspired by the Four Horsemen of the Apocalypse in the Bible’s Book of Revelation, or a makeup line. Then one day, she got a message from Kerry Diamond, then the head of public relations at French cosmetics powerhouse Lancôme. Execs wanted to fly her to New York for a meeting. When she got there, they told her their deal. The company had been making big-budget beauty videos with supermodels and professional makeup artists, and no one was watching them. “It was like crickets,” Diamond says. “We would get maybe five views a day, and that was from me and my team.” Curious as to what people were watching, Diamond started clicking on the “related videos” on YouTube and kept noticing Phan. “There was something very different and very special about her that I don’t think anyone could put their finger on,” Diamond says. “She had a certain je ne sais quoi. It was kind of magic.”

In a bold move, the company made Phan their official video makeup artist and online spokesperson. The gig involved flying all over the world — Paris, Hong Kong and Beijing — for magazine photo shoots and other events. At that point, Phan had to make a decision. “I said, you know what? I’m gonna do this Lancôme thing for a year, and if it doesn’t work out, I’ll go back and finish my final year of school.”

She’s never been back.

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“NO ONE IS PERFECT AT EVERYTHING,” Phan says, speaking into the camera and holding an amethyst stone in her hand. “We’re all made to be perfectly imperfect, kind of like this crystal. See, it’s not perfectly cut like a flawless diamond, but it’s beautiful in its own unique way. There won’t be another crystal like this one, and just like you, it has many, many facets.”

The video, “How To Build Self Confidence,” released this past summer, is filled with Phan’s personal tips on how to find your best qualities and pass on your gifts to others. Like the many other videos on her YouTube channel, Michelle Phan, it oozes with G-rated, Disney Channel-esque charm. Over the years, the production values of her videos have gotten snazzier (she now has a camera guy, a lighting person and a production manager), but the basic formula remains the same — at their heart, it’s simply Phan talking to her viewers, sharing stories and wisdom. She shakes her head when new vloggers become obsessed with buying the latest video gear and software. “When I was little, my mom couldn’t afford a Halloween costume, so she drew an upside down triangle on my nose with lipstick and whiskers on my face with black eyeliner and we found a homemade lion costume at a thrift store, and I was a beast. That’s my philosophy in life. You already have everything. You have your hands and your mind, the most powerful tools that you’ll ever need.”

Phan, who calls herself a “multi-media artist,” holds on to that do-it-yourself mentality, and says she’s involved with every aspect of her brand. Living in a sort of online fishbowl, she’s also hyper-aware of her every move and how it might be viewed, and she shields her persona with fervor. “Because I’m a public figure, I have be mindful of what I say,” she says. “So I can’t just post a picture of me super drunk and being like, ‘YOLO!’ [‘you only live once’— the ‘carpe diem’ for the Twitter generation]. Branding-wise, that doesn’t work with my image.” Nudity, she says, is also “off-limits” and “something I only want my lover to see.”

She advises young girls to think of themselves as their own brand, and before they post anything online, they should ask themselves if they’d want their grandmother, future kids or future boss to see it. When she looks at her old Xanga posts, she cringes. “I think, oh my god, I was so annoying. I was this 19-year-old girl writing in all caps. Super obnoxious.

“I’m at a point in my life where I’m no longer a girl,” Phan adds. “I’m a woman. And because I’m a woman, I have more freedom. And because I have freedom, I have to be careful about the decisions I make. When you’re young, you think you’re invincible, but then things happen in your life, and you’re like, actually, I’m not invincible. I’m actually very fragile as a person. So you become more careful with what you do.” As for online attackers (and she has her share of them — multiple Michelle Phan hate-sites exist in cyberspace), Phan sees them as “terrible potholes.” The best way to handle them, she believes, is to ignore them or send them love. “I’ll say things like, ‘Hey, I’m praying for you.’ If they have to punch my online persona so that they can feel better, well, at least I helped them feel better. You just have to think of it that way.”

Phan’s rise to mega-fame has placed her in vulnerable territory. This summer, she was sued by electronic dance music company Ultra Records, which accused her of illegally using songs of its artists in her videos, including a track by Grammy-nominated DJ Kaskade. (Kaskade actually supported Phan, tweeting, “Copyright law is a dinosaur, ill-suited for the landscape of today’s media.”) Phan has countersued, claiming she did receive permission to use the songs. Her team declined comment on the lawsuit and instead directed me to the news of Phan’s latest venture — she’s launching a new music label with Cutting Edge Group called Shift Music Group.

The online artist never envisioned herself as a business founder and CEO, but now that she’s in that position, she’s urging others to get out of the corporate system, too, if that’s what they really want. This year, Phan inked a development deal with Endemol Beyond USA, the digital arm of global TV production firm Endemol. Her role is to build a female-focused lifestyle network, mentoring new talent and developing programming ideas with them. She believes that today’s digital revolution is shaking the structure of society in a fundamental way — and that’s a progressive step. “Things are getting worse right now, politically speaking, all over the world,” she says. “When you look at how just 1 percent of America’s population makes this amount of money while the rest is suffering, that shows you there needs to be a change. People complain about millennials being lazy because of computers. OK, then remove computers from school and just have dictionaries and encyclopedias, but is that really gonna better them? Yeah, they may not have to physically open things or do the manual work, but that gives them more room and time, and I think that with the right environment, you can really inspire them to become super programmers and brilliant people for the future.”

They can start by simply sharing what they know, whether it’s makeup or home décor or funny jokes, says Phan. Chances are, they’ll connect with someone. Once, at a meet-and-greet, a young man came up to Phan and told her that he started watching her tutorials after his mother was diagnosed with cancer. She had lost her hair from chemotherapy and was so weak that she couldn’t even lift her hands. Knowing that she always loved putting on makeup, the son decided to raid her cosmetics bag and do it for her, to connect with her and make her feel beautiful up until her final days.

“It’s not a superficial thing,” Phan says of makeup. “Beauty is your face. It’s what people look at when they’re speaking to you — your eyes, your mouth. It’s your persona. I have this bond with my viewers because I’m showing them how to find their own beauty, on the outside and within.”

After the photo shoot, Phan slips back into her shirtdress and flats, a breezy, no-frills ensemble that she says she would “wear every day if I could.” For a woman who made a reported $5 million in 2013 (her team declined to confirm her financials), she lives with extraordinary simplicity. When not working, she’s hanging out with her boyfriend, model Dominique Capraro, or watching documentaries like Sirius Disclosure. She sleeps on a futon sofa and uses the same bag from years ago. “I don’t have attachments to things,” she says. “I don’t want to own things because ultimately what happens is that the things start owning you.” She adds that having the philosophy that life is not a ladder but “a circle” has given her great peace. “I’m no longer chasing this idea of being successful and having money. Now it’s like, what can I do with this money? This money doesn’t buy me happiness. It buys me the freedom to build something even bigger that can help the whole world.”

At the end of the interview, I ask Phan if we can take a selfie together. After all, she’s the reigning queen of the art — her video “How To Take The Perfect Selfie” has been viewed 2.8 million times.

She gleefully agrees, holding my phone while extending her arm out in front of us.

“Always hold the camera up and look up,” she says. She elongates her neck and turns her face toward the natural light. Then she looks into the camera with confidence and smiles.

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Story Michelle Woo
Photos Jack Blizzard
Stylist Reichelle Palo
Makeup Jayme Kavanaugh
Hair Octavio Molina

This story was originally published in our Winter 2014-15 issue. Get your copy here


Brian Tee Cast As Hamada “Jurassic World”


On Tuesday, Universal Pictures released the trailer for Jurassic World, the fourth installment of Steven Spielberg’s Jurassic Park series, and if you blink, you may miss seeing Brian Tee in action.

Starring Guardians of the Galaxy‘s Chris Pratt, the sci-fi action-adventure film takes place 22 years after the events of Jurassic Park and is set in a “fully functional” dinosaur theme park that was originally envisioned by John Hammond. As tourist attendance rates begin to dip, the park’s researchers decide to create a new attraction, a genetically-modified hybrid dinosaur. However, things quickly backfire when the bloodthirsty hybrid escapes from the labs and runs amok in the packed park.



A few months ago, pages from the Jurassic World script were leaked online and introduced Brian Tee’s character, a 52 year-old “greying Japanese badass” named Katashi Hamada. In the excerpt, Hamada warns the other characters about the danger of feeding the new hybrid dinosaur live animals–hinting that once the creature tastes living flesh, it will never seek alternative food sources.

“Trust me. You don’t want this animal to taste things that move and bleed,” Hamada says, ending his badass monologue.

Jurassic World is slated to be released on June 12, 2015.


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John Cho Fans Rejoice: “Selfie” to Stream on Hulu


ABC’s romantic comedy series Selfie, starring John Cho and Karen Gillan, has found a new home on Hulu.

The video streaming site announced Monday that it has agreed to pick up Selfie after ABC canceled the Warner Bros. show earlier this month. Hulu will release the the six unaired episodes on Hulu and Hulu Plus on a weekly basis starting Tuesday, the series creator Emily Kapnek announced on Twitter. The episodes will also be available on


ABC scrapped Selfie from its Tuesday night lineup after the series opened with an underwhelming 5.3 million viewers and a 1.6 ratings among adults aged between 18 and 49, according to The Hollywood Reporter. Manhattan Love Story was also taken out of ABC’s lineup for the same reason.

This is not the first time Hulu has adopted an axed ABC Comedy. Last year, the streamer hosted the remaining episodes of Apartment 23  on its site after ABC canceled the show due to poor ratings.


This story was originally published on
Photo courtesy of


Ki Hong Lee Named Fourth Sexiest Man of 2014


People magazine has named Maze Runner star Ki Hong Lee the fourth sexiest man of 2014 in its annual “Sexiest Men Alive” list. How did the 28-year-old actor accomplish this great feat? With his dimples, of course.

“I’m the worst with compliments,” Lee told People magazine in his interview. “People will compliment me on my dimples ? but medically, dimples are flawed muscles – they’re not supposed to occur! People think it’s beautiful, but it’s nature’s mistake.”


People magazine includes actor Ki Hong Lee in its annual list of “Sexiest Men Alive” (Photo courtesy of Collin Stark/People)

People magazine includes actor Ki Hong Lee in its annual list of “Sexiest Men Alive”
(Photo courtesy of Collin Stark/People)


While Chris Hemsworth topped the list and graced the cover of the magazine issue, Lee managed to edge out Blake Shelton, Bradley Cooper and Matt Bomber, who placed fifth, sixth and seventh, respectively.

This year, KoreAm and Audrey Magazine are proud to present the “Male Breakout Star of the Year” to Lee at the 13th annual Unforgettable Gala. To learn more about the upcoming gala, click here.


This story was originally published on


Outrage Over Sexist Advice Given By Korea’s Labor Ministry


South Korea’s Labor Ministry has been blasted for advising women to tell potential employers that they have no problems with sexist jokes in the office and have absolutely no interest in getting married, reports the Korea Herald.

The sexist interview tips were posted on a government-run recruitment site and offered “ideal answers” to questions female job seekers may face in a job interview.

In response to a question about sexual harassment, women in South Korea were advised to say, “I wouldn’t mind casual jokes about sex and it is sometimes necessary to deal with [sexual harassment] by making a joke in return.”

The ministry also encouraged female job applicants to say, “I have no interest in getting married for awhile” even if they did have marriage plans because “it is common for female workers to quit their jobs after getting married.”

When asked about child bearing plans, women should respond: “Although I have a responsibility as a woman to raise a child, I am more than willing to continue working [after having a baby] if the company recognizes [my abilities].”


And of course, since women don’t make any meaningful contributions in the workplace, the ministry said women should promise to always “to do [their] very best even if it’s just making a single cup of coffee.”

The post sparked the fury of many NGOs, including the Korean National Council of Women, and was deleted by the ministry on Friday.

“It is sexist of any employer to only ask women about their plans on marriage and child bearing,” the Korean National Council of Women said in a joint statement. “And the government is in fact encouraging employers to discriminate against women.”

In 2013, South Korea ranked last among OECD countries for employing female college graduates.


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Photo courtesy of AFP


Fall 2014 Fashion Trend: You Don’t Have To Be Superman To Wear A Cape


During Fall and Winter, fashion is all about layers, luxe coats and cozy vibes. It’s the seasons that naturally allow for a richer, more luxurious way of dressing.

Each year, we see a new coat trend walk down the runway. Last year, it was all about over sized coats and bomber jackets, but this season’s hottest trend is something completely different: the cape. This fashion trend has had its moment before, but this fall the cape is back with a vengeance. It was seen on the runway with Valentino Ralph Lauren, Saint Lauren and The Row amongst others.

The cape has always been incredibly chic and this season it’s made even more glamorous as designers such as Daks and Ellie Saab have taken the cape to longer lengths, adding even more glamour. Others such as Ralph Lauren have added more volume at the back whilst keeping the front tailored. On the high street, we’ve seen a new twist with the blazer cape and a slimmer silhouette.

Paired with jeans, layered over a sweater, or draped over an evening dress, it instantly gives an updated look to any outfit.

It’s not just the designer collections that are embracing the cape. Models and fashion bloggers alike take the look straight off the runway and have made it their own from the high-street version, to the customizable cape-like Burbery Propsum poncho.


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(Tokyo Street fashion) Photo Credit: Stacy Fan


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The New Face of Gucci: South Korean Actress Gianna Jun


South Korea is one of the fastest growing and most lucrative markets worldwide for designer fashion and luxury items. They have a huge influence not only in China, but also in other parts of Asia and even in America. It’s no surprise that all this influence hasn’t gone unnoticed by Gucci.

Gucci is tapping into this successful market by choosing South Korean actress Jun Ji-hyun, also known as Gianna Jun, as the new face of their accessories ad campaign. Jun is most famous for her role as “The Girl” in the 2001 romantic comedy “My Sassy Girl,” one of Korea’s highest grossing comedies of all time.

The accessories campaign, which includes jewelry and eyewear, was shot by photographer Sølve Sundsbø in London over the weekend, and overseen by the creative director of Gucci, Frida Giannini.

“Gianna Jun has just the type of natural beauty and sensual sophistication that is perfect for a Gucci woman,” said Giannini of the choice to have Jun as the face of the campaign, which will be released in January 2015. “Her contemporary femininity is well suited to our accessories, which she will bring to life in this new campaign.”


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Get Inspired by Sokha Chen: From Scavenging Garbage to Starring in CNN’s “Girl Rising”


“I wanted to be a social worker,” says Sokha Chen, “but now I’ve decided I would rather study business so that I can set up a nongovernmental organization to help the people at the Stung Meanchey garbage dump.”

The 20-year-old pauses for a moment and then continues. “I’m in the scholarship program at Zaman [an exclusive private school in Phnom Penh] because I want to study in America. The education system there is much better than it is in Cambodia. I would be able to improve my English, learn about the culture and meet different people.”

Just a dozen years ago, such a dream would have been unthinkable to Chen. In a developing country like Cambodia, where poverty is rampant, education limited and women’s rights hardly a priority, an orphan like Chen most likely would not have survived, much less dreamed of an education in the U.S. But this is Chen’s reality today. After all, she’s already met First Lady Michelle Obama and the Clintons.

Chen was born in the provinces of Cambodia where life is about subsistence farming and eking out a living as best as one can. When Chen was a little girl, her mother passed away; her father died soon thereafter. Orphaned with her siblings — a brother and two sisters — Chen struggled to survive. After three years doing grueling work at her uncle’s farm, she and her sisters left for Phnom Penh. There, they had no choice but to become scavengers — people who go through the garbage to collect plastic, tin and cardboard to sell to recycling operations — and lived at the infamous Stung Meanchey garbage dump, the largest landfill in the country, as squatters. Chen and her older sister took turns working at the dump, from dawn to twilight, for 50 cents a day, and watching their younger sister.

In 2007, when Chen was 13, she happened to meet the organizers of A New Day Cambodia (ANDC), a Chicago-based residential NGO that takes children out of the dump and into school. The agreement was simple: they would look after her and her sisters, and the girls would study.

“When I arrived at ANDC, it was overwhelming,” remembers Chen. “I had never seen such big buildings. And there was as much food as you wanted to eat. Everything was so clean. I couldn’t believe how lucky I was to have such an opportunity.”

Chen delved into learning. She studied Khmer in the mornings and English in the afternoons. Apsara, the traditional Khmer dance featuring stylized movements and intricate hand gestures, became her passion. Chen went from being a 13-year-old garbage girl to one who can not only read and write Khmer but speak English fluently and even some basic Turkish, which she learned for a school trip to Istanbul. She was soon awarded a partial scholarship to Zaman International School, one of the most prestigious schools in Cambodia.

In 2011, Chen was invited to perform an apsara dance and give a short speech at the Women in the World Conference, put on by Newsweek and The Daily Beast, in New York City. Her performance, which ended the conference, prompted then Newsweek Editor-in-Chief Tina Brown to say in her closing remarks, “That last sight — of Sokha Chen dancing — may have been the most moving thing of all.” In addition to meeting Bill and Hillary Clinton and other luminaries (Korean American journalist Juju Chang introduced Chen’s apsara dance performance), Chen was invited to the White House where she met First Lady Michelle Obama. “I couldn’t quite believe it,” she remembers. “Michelle Obama is someone I admire very much.

“The city was amazing. It was so busy, and everyone moved so quickly,” continues Chen. “The trip to America really opened my eyes.” She realized that there was another world out there and that she wanted to study in America. “I am going to work very hard so I can get the funds to study abroad. Besides getting a better quality education than what is available in Cambodia, I will develop the skills and the understanding of how to set up an NGO properly. Living in another culture may be a challenge at first, but I will adapt.”

Most recently, Chen was featured in the 2013 CNN documentary film Girl Rising, helmed by Academy Award-nominated director Richard E. Robbins. From a child bride in Afghanistan to the Pakistani activist Malala Yousafzai, the film features the accomplishments of nine girls and young women from various countries who are breaking through their circumstances. An A-list cast of narrators range from Meryl Streep and Selena Gomez to Freida Pinto and Priyanka Chopra. Chen was the first person selected for the film.

“When they first started to shoot the film, I was very nervous,” admits Chen. “Then I got used to being in front of the camera and it didn’t bother me. It almost started to feel natural.”

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The confidence Chen has gained both from the film and from her education is evident. Today, she speaks to groups and gives speeches at events. She stands proudly and radiates a quiet determination. Hailed as a role model, Chen wants to tell other girls and young women from seemingly insurmountable situations: “Never give up. It is important to keep trying until you succeed. It may be scary at first, so take a friend with you and approach NGOs who may be able to help you. There are people out there, but you have to go and find them.”

Chen is aware that she is very fortunate and has already started to pay it forward by helping other students with English and teaching them apsara. In spite of her accomplishments, she never forgets where she came from, and she is determined to help as many people as she can to break the cycle of poverty.

“Education totally changed my life,” says Chen. “When I was a garbage girl, I didn’t have the money to go to school, not even a local public one, because I would have still needed to buy books and uniforms. Now a whole new life has opened up for me.”


–Story by Jody Hanson
Photo courtesy of Brad Callihoo

This story was originally published in our Fall 2014 issue. Get your copy here